This novel is about Parks, a teenager who rides skateboards, plays video games and drinks soda.

Up until now, he's managed to watch a few action-adventure movies, visit a few amusement parks and survive as a kid on his own. Unlike the average teen, he's avoided promoting himself in places like myspace, facebook and other online communites. He's not an anti-social youth, he's just a kid on the run.

Basically, Parks is a teenager. Restless around others except his friend Geli. He likes to see movies about heroes and warriors but he doesn't really want to be one himself.

The story is also about Geli, who turns eighteen years old in a few months. She's a smart kid, who likes to read books, study for school and plans to change the world.

She's a teenage girl faced with the realities of becoming an adult. In a few months, she'll be starting that adult life as a college student.

The real story is how these two teenagers became friends and became involved in an adventure to save their world.

Two young people, who meet in San Francisco and discover that they have a common destiny. They have special abilities, not unlike their favorite heroes in books or movies.

Together they learn how to use these almost magical abilites, to save their lives and save the world.

The adventure of this story begins one night, when Parks is riding his skateboard, using bike lanes to move around the San Francisco streets. He notices that he is being followed. When he tries to avoid the car, the chase becomes more serious as it looks like it wants to run him down.

As the adventure story progresses, the two teenagers become involved in their own real-life video game, action film and fantasy novel. But in this case the adventure is real, the magic is real and the bad guys are very real.

Skateboards, video games, super heroes and characters in a novel; are all put away as the the two teens begin a real stuggle for survival in a changing world.

Afterall, being a kid in an adult world was never easy. Maybe with a few supernatual talents, the playing field can be leveled.

About Harry Potter: Amazon.com Review Say you've spent the first 10 years of your life sleeping under the stairs of a family who loathes you. Then, in an absurd, magical twist of fate you find yourself surrounded by wizards, a caged snowy owl, a phoenix-feather wand, and jellybeans that come in every flavor, including strawberry, curry, grass, and sardine. Not only that, but you discover that you are a wizard yourself! This is exactly what happens to young Harry Potter in J.K. Rowling's enchanting, funny debut novel, Harry Potter and the Sorcerer's Stone. In the nonmagic human world--the world of "Muggles"--Harry is a nobody, treated like dirt by the aunt and uncle who begrudgingly inherited him when his parents were killed by the evil Voldemort. But in the world of wizards, small, skinny Harry is famous as a survivor of the wizard who tried to kill him. He is left only with a lightning-bolt scar on his forehead, curiously refined sensibilities, and a host of mysterious powers to remind him that he's quite, yes, altogether different from his aunt, uncle, and spoiled, piglike cousin Dudley. A mysterious letter, delivered by the friendly giant Hagrid, wrenches Harry from his dreary, Muggle-ridden existence: "We are pleased to inform you that you have been accepted at Hogwarts School of Witchcraft and Wizardry." Of course, Uncle Vernon yells most unpleasantly, "I AM NOT PAYING FOR SOME CRACKPOT OLD FOOL TO TEACH HIM MAGIC TRICKS!" Soon enough, however, Harry finds himself at Hogwarts with his owl Hedwig... and that's where the real adventure--humorous, haunting, and suspenseful--begins. Harry Potter and the Sorcerer's Stone, first published in England as Harry Potter and the Philosopher's Stone, continues to win major awards in England. So far it has won the National Book Award, the Smarties Prize, the Children's Book Award, and is short-listed for the Carnegie Medal, the U.K. version of the Newbery Medal. This magical, gripping, brilliant book--a future classic to be sure--will leave kids clamoring for Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban. (Ages 8 to 13) --Karin Snelson --This text refers to the Hardcover edition. From Publishers Weekly Readers are in for a delightful romp with this award-winning debut from a British author who dances in the footsteps of P.L. Travers and Roald Dahl. As the story opens, mysterious goings-on ruffle the self-satisfied suburban world of the Dursleys, culminating in a trio of strangers depositing the Dursleys' infant nephew Harry in a basket on their doorstep. After 11 years of disregard and neglect at the hands of his aunt, uncle and their swinish son Dudley, Harry suddenly receives a visit from a giant named Hagrid, who informs Harry that his mother and father were a witch and a wizard, and that he is to attend Hogwarts School of Witchcraft and Wizardry himself. Most surprising of all, Harry is a legend in the witch world for having survived an attack by the evil sorcerer Voldemort, who killed his parents and left Harry with a lightning-shaped scar on his forehead. And so the fun begins, with Harry going off to boarding school like a typical English kid?only his supplies include a message-carrying owl and a magic wand. There is enchantment, suspense and danger galore (as well as enough creepy creatures to satisfy the most bogeymen-loving readers, and even a magical game of soccerlike Quidditch to entertain sports fans) as Harry and his friends Ron and Hermione plumb the secrets of the forbidden third floor at Hogwarts to battle evil and unravel the mystery behind Harry's scar. Rowling leaves the door wide open for a sequel; bedazzled readers will surely clamor for one. Ages 8-12. Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition. From School Library Journal Grade 4-7-Harry Potter has spent 11 long years living with his aunt, uncle, and cousin, surely the vilest household in children's literature since the family Roald Dahl created for Matilda (Viking, 1988). But like Matilda, Harry is a very special child; in fact, he is the only surviving member of a powerful magical family. His parents were killed by the evil Voldemort, who then mysteriously vanished, and the boy grew up completely ignorant of his own powers, until he received notification of his acceptance at the Hogwarts School of Witchcraft and Wizardry. Once there, Harry's life changes dramatically. Hogwarts is exactly like a traditional British boarding school, except that the professors are all wizards and witches, ghosts roam the halls, and the surrounding woods are inhabited by unicorns and centaurs. There he makes good friends and terrible enemies. However, evil is lurking at the very heart of Hogwarts, and Harry and his friends must finally face the malevolent and powerful Voldemort, who is intent on taking over the world. The delight of this book lies in the juxtaposition of the world of Muggles (ordinary humans) with the world of magic. A whole host of unique characters inhabits this world, from the absentminded Head Wizard Dumbledore to the sly and supercilious student Draco Malfoy to the loyal but not too bright Hagrid. Harry himself is the perfect confused and unassuming hero, whom trouble follows like a wizard's familiar. After reading this entrancing fantasy, readers will be convinced that they, too, could take the train to Hogwarts School, if only they could find Platform Nine and Three Quarters at the King's Cross Station. Eva Mitnick, Los Angeles Public Library Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition. From The Washington Post Obviously, Harry Potter and the Sorcerer's Stone should make any modern 11-year-old a very happy reader. The novel moves quickly, packs in everything from a boa constrictor that winks to a melancholy Zen-spouting centaur to an owl postal system, and ends with a scary surprise. --This text refers to the Hardcover edition. From AudioFile If you haven't heard of Harry Potter then you haven't turned on your TV or radio or opened a newspaper in the last few months. For the uninitiated, Harry is a young orphan who is living with his nasty relatives when he's summoned to claim his magical heritage by attending Hogwarts School of Witchcraft and Wizardry. What could be better (or more satisfying to children) than studying, not English and chemistry, but Potions and Defense-Against-the-Dark-Arts? Jim Dale, with his fully voiced reading, brings the world of wizards to life in ways unimagined even by those who have read and re-read the book. The accents are sure, the inflections perfectly suit the characters, and some of Rowling's particularly inventive bits, like the game of Quidditch, become clearer. Sometimes poignant, often funny, Dale's interpretation of this enchanted other world is the consummate family-listening experience. S.G. Winner of AUDIOFILE Earphones Award. (c) AudioFile, Portland, Maine --This text refers to the Audio Cassette edition. From Booklist Gr. 4^-7. Orphaned in infancy, Harry Potter is raised by reluctant parents, Aunt Petunia and Uncle Vernon, an odious couple who would be right at home in a Roald Dahl novel. Things go from awful to hideous for Harry until, with the approach of his eleventh birthday, mysterious letters begin arriving addressed to him! His aunt and uncle manage to intercept these until a giant named Hagrid delivers one in person, and to his astonishment, Harry learns that he is a wizard and has been accepted (without even applying) as a student at Hogworts School of Witchcraft and Wizardry. There's even more startling news: it turns out that his parents were killed by an evil wizard so powerful that everyone is afraid to so much as utter his name, Voldemort. Somehow, though, Harry survived Voldemort's attempt to kill him, too, though it has left him with a lightning-shaped scar on his forehead and enormous celebrity in the world of magic, because Voldemort vanished following his failure. But is he gone for good? What is hidden on the third floor of Hogworts Castle? And who is the Man with Two Faces? Rowling's first novel, which has won numerous prizes in England, is a brilliantly imagined and beautifully written fantasy that incorporates elements of traditional British school stories without once violating the magical underpinnings of the plot. In fact, Rowling's wonderful ability to put a fantastic spin on sports, student rivalry, and eccentric faculty contributes to the humor, charm, and, well, delight of her utterly captivating story. Michael Cart --This text refers to the Hardcover edition. From Kirkus Reviews In a rousing first novel, already an award-winner in England, Harry is just a baby when his magical parents are done in by Voldemort, a wizard so dastardly other wizards are scared to mention his name. So Harry is brought up by his mean Uncle Vernon and Aunt Petunia Dursley, and picked on by his horrid cousin Dudley. He knows nothing about his magical birthright until ten years later, when he learns he's to attend Hogwarts School of Witchcraft and Wizardry. Hogwarts is a lot like English boarding school, except that instead of classes in math and grammar, the curriculum features courses in Transfiguration, Herbology, and Defense Against the Dark Arts. Harry becomes the star player of Quidditch, a sort of mid-air ball game. With the help of his new friends Ron and Hermione, Harry solves a mystery involving a sorcerer's stone that ultimately takes him to the evil Voldemort. This hugely enjoyable fantasy is filled with imaginative details, from oddly flavored jelly beans to dragons' eggs hatched on the hearth. It's slanted toward action-oriented readers, who will find that Briticisms meld with all the other wonders of magic school. (Fiction. 10-14) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition. Review ...funny, moving and impressive.... Like Harry Potter, [J.K. Rowling] has soared beyond her modest Muggle surroundings to achieve something quite special. -- The New York Times Book Review, Michael Winerip --This text refers to the Hardcover edition. Review “Wonderful…Funny, moving and impressive” - The New York Times Book Review “A delightful award-winning debut from an author who dances in the footsteps of P.L. Travers and Roald Dahl” - Publisher Weekly starred review Product Description New Jacket artwork by Mary GrandPre Additional four-color frontispiece artwork from Mary GrandPre Two pages of special content from J.K. Rowling Full cloth case with gold stamping 28 million copies sold worldwide! The wickedly funny debut novel from master storyteller J.K. Rowling tells the story of Harry Potter who, having endured 11 miserable years with his hideous aunt and uncle, is invited on his 11th birthday to attend Hogwarts School of Witchcraft and Wizardry. There he learns of his distinguished wizard pedigree—and his frightening destiny. About Twilight: Amazon.com Review The book that started the phenomenon is now available in a deluxe collector's edition! Featuring a ribbon bookmark, cloth cover, ragged edges, new chapter opener designs, and a beautiful protective slipcase, this edition is perfect for fans and collectors alike. Bella Swan's move to Forks, a small, perpetually rainy town in Washington, could have been the most boring move she ever made. But once she meets the mysterious and alluring Edward Cullen, Bella's life takes a thrilling and terrifying turn. Up until now, Edward has managed to keep his vampire identity a secret in the small community he lives in, but now nobody is safe, especially Bella, the person Edward holds most dear. Deeply romantic and extraordinarily suspenseful, Twilight captures the struggle between defying our instincts and satisfying our desires. This is a love story with bite. From School Library Journal Grade 9 Up–When Bella Swan moves from sunny Phoenix to Forks, Washington, a damp and dreary town known for the most rainfall in the United States, to live with her dad, she isnt expecting to like it. But the level of hostility displayed by her standoffish high school biology lab partner, Edward Cullen, surprises her. After several strange interactions, his preternatural beauty, strength, and speed have her intrigued. Edward is just as fascinated with Bella, and their attraction to one another grows. As Bella discovers more about Edwards nature and his family, she is thrown headlong into a dangerous adventure that has her making a desperate sacrifice to save her one true love. One of the more original vampire constructs around, this recording of Stephenie Meyers debut novel (Megan Tingley Books, 2005) is narrated with great style by Ilyana Kadushin, who makes the infinitely romantic tale of star-crossed lovers resonate with a bittersweet edge. Although Edward and Bellas romance and subsequent danger develops slowly, the pacing is appropriate for teens who want learn all the details in this suspenseful tale. An excellent purchase for both school and public libraries.–Charli Osborne, Oxford Public Library, MI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title. From AudioFile Stephanie Meyer's teen-vampire romance offers an appealing heroine in Bella, transplanted from sunny Phoenix to the wet, dreary town of Forks, Washington, and the seductive, secretive object of her obsession, Edward, who may or may not be a vampire. Predictability doesn't keep this spine-tingling tale from being fun, but alas, Ilyana Kadushin's reading, does. Her speaking voice is thin and underdeveloped, and any sense of nuance is nonexistent. Kadushin doesn't try to give the characters personalities, so distinguishing between speakers is difficult. This is one of those rare times in audiobook listening when the writing exceeds the reader's capabilities. Still, the story is engrossing and the characters well drawn, ensuring that older teens will find much to enjoy. S.J.H. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition. From Booklist *Starred Review* Gr. 9-12. In the tradition of Anne Rice and YA titles such as Annette Curtis Klause's The Silver Kiss (1999) comes this heady romance that intertwines Bella Swan's life with that of Edward, an alluring and tormented vampire. Bella's life changes when she moves to perpetually rain-soaked Forks, Washington. She is instantly drawn to a fellow student, Edward Cullen, beautiful beyond belief and angrily aloof. Bella senses there is more behind Edward's hostility, and in a plot that slowly and frighteningly unfolds, she learns that Edward and his family are vampires--though they do not hunt humans. Yet Edward cannot promise that his powerful attraction to Bella won't put in her in danger, or worse. Recklessly in love, Bella wants only to be with Edward, but when a vicious, blood-lusting predator complicates her world, Bella's peril is brutally revealed. This is a book of the senses: Edward is first attracted by Bella's scent; ironically, Bella is repelled when she sees blood. Their love is palpable, heightened by their touches, and teens will respond viscerally. There are some flaws here--a plot that could have been tightened, an overreliance on adjectives and adverbs to bolster dialogue--but this dark romance seeps into the soul. Ilene Cooper Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition. Review Praise for Twilight: A New York Times bestseller A New York Times"Editor's Choice" A Publishers Weekly Best Book of the Year A Publishers Weekly"Kids' Book Adults Would Love" An Amazon "Best Book of the Decade * So Far" An ALA "Top Ten Books for Young Adults" * "Propelled by suspense and romance in equal parts [this story] will keep readers madly flipping the pages of Meyer's tantalizing debut." -Publishers Weekly (starred review) * "The novel's danger-factor skyrockets as the excitement of secret love and hushed affection morphs into a terrifying race to stay alive. Realistic, subtle, succinct, and easy to follow, Twilight will have readers dying to sink their teeth into it."-School Library Journal (starred review) * "In the tradition of Anne Rice. . . this dark romance is gripping." -Booklist (starred review) Product Description About three things I was absolutely positive: First, Edward was a vampire. Second, there was a part of him–and I didn’t know how dominant that part might be–that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him. “I’D NEVER GIVEN MUCH THOUGHT TO HOW I WOULD DIE– I’d had reason enough in the last few months –but even if I had, I would not have imagined it like this. . . . Surely it was a good way to die, in the place of something else, someone I loved. Noble, even. That ought to count for something.” When Isabella Swan moves to the gloomy town of Forks and meets the mysterious, alluring Edward Cullen, her life takes a thrilling and terrifying turn. With his porcelain skin, golden eyes, mesmerizing voice, and supernatural gifts, Edward is both irresistible and impenetrable. Up until now, he has managed to keep his true identity hidden, but Bella is determined to uncover his dark secret. What Bella doesn’t realize is the closer she gets to him, the more she is putting herself and those around her at risk. And, it might be too late to turn back. . . . Deeply seductive and extraordinarily suspenseful, Twilight will have readers riveted right until the very last page is turned. --This text refers to the Audio CD edition. About the Author Stephenie Meyer graduated from Brigham Young University with a degree in English Literature, and she lives with her husband and three young sons in Arizona. Stephenie is the author of Twilight, New Moon, Eclipse, and Breaking Dawn. About the TV series Lost: Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. About the TV series Heroes: Arguably the most talked-about television show of the 2006-2007 season, the Emmy-nominated fantasy Heroes gives viewers blends comic book-style adventure with plotting and characters as rich and layered as any graphic novel or drama series. Creator Tim Kring's premise is deceptively simple – ordinary individuals in locations around the globe discover that they have, for lack of a better term, super powers, and wrestle with this reality while facing challenges both global (the destruction of New York City, for one) and personal (indestructible cheerleader Hayden Panetierre has family issues – serious ones, as the true identity of her adoptive father reveals; Milo Ventimiglia's Peter Petrelli, who absorbs other powers, must overcome his own insecurities). Add to this mix a terrific villain – Zachary Quinto's Sylar, who hunts and kills people with extraordinary powers like our heroes – and viewers have a riveting series that exhibits an almost-perfect balance of cliffhanger thrills (the action and special effects are truly impressive for a network program) and genuine drama that sets the show apart from most speculative fiction (save, perhaps, the revived Battlestar Galactica, which it compares too favorably). The seven-disc set of Heroes: Season One offers a wealth of extras for fans, who may be familiar with some of them through the NBC.com website, especially the cast commentaries, which are featured on half of the episodes. Kring is featured on the 73-minute uncut pilot episode, which for some viewers, may be even better than the network version; the main difference is the degree of character development, including an entire storyline for D.L. Hawkins that isn't featured in the broadcast version. Also on deck are some 50 deleted scenes from the episodes, several by-the-books making-of featurettes, including coverage of the special effects and stunt work, and a profile of artist Tim Sale, whose illustrations are used for Isaac Mendez's prophetic artwork. Prospective buyers should note that while all of these supplemental features are included on the HD-DVD version of this set, the special Web-connectivity elements are not available here. Explaining Skateboard Explained: Review 5 Stars from Skateboard.About.com Skateboarding Explained is a walkthrough DVD for beginner or intermediate skateboarders to learn the basics of skating, and all the tricks you need to know to be a truly intermediate, competent skater. There are several how-to-skateboard DVDs out there, but Skateboarding Explained is honestly the best one I've seen. This video takes the time to really teach the basics of skating (basics that anyone of any level could really use), and the style is such that any skater of any age (even adults!) should feel comfortable with it. You can watch the whole series of instructions in order, or go straight to the section or trick that you want to learn about. The DVD was directed and designed by Dan MacFarlane, a pro skater and the top skateboarding instructor at Camp Woodward s Lake Owen resort. Dan has a comfortable, easy going style in his instructions and masterfully performs all the tricks himself. His methods have been tried, and he knows they work. (Bonus fact - Dan instructed Shaun White at an Encinitas YMCA summer camp back when Shaun was 8 years old!) Dan MacFarlane knows how to teach, and what needs to be taught. The background music, video editing, style and feel of Skateboarding Explained are top-notch. The music is energetic, but doesn't get in the way. Each trick features high quality slow motion parts that blend perfectly with the instructions, walking you through every aspect of what you are learning. This DVD is pure skateboarding, step by step, piece by piece. If you are looking for an instructional skateboarding DVD, I highly recommend you pick up a copy of Skateboarding Explained. Steve Cave, Skateboard.About.com --www.skateboard.about.com Review This instructional DVD has been put together by Lake Owen Instructor and Mentality Pro Dan MacFarlane. The DVD does an exceptionally good job at taking skaters from the basics right up to the advance tricks. It s well presented and definitely recommended for beginners and those who want to brush up on their tricks or learn new ones. Concrete Wave Magazine --Concrete Wave Magazine Review This video arrived and at first glance you might think it's some Tony Hawk video where everyone is munching pizza bites and watching dudes ollie, turn, and backside tailslide that vert pocket with some helpful hints you'll never get. This video is exactly opposite and really makes you think about how to do tricks, even if you don't get much farther from the coping bash at the local park. If you ever had a trick that frustrated you, this should shed some light on it. It even helped me land some 360 flips which had been m.i.a. since 1992. It's worth getting and definitely worth making your child watch repeatedly instead of Sponge Bob. - Broken Magazine --Broken Magazine Product Description Transworld Skateboarding is proud to present our twentieth skate film, And Now. Produced in eight short months, and filmed in places as diverse as Australia, China, Spain, South America, and of course, throughout the states, And Now features the talents of 6 rising stars. David Gravette, Nick Trapasso, Matt Miller, Sean Malto, Ritchie Jackson, and Kenny Hoyle display a dizzying array of skateboarding talent. Produced, edited, and directed by Jon Holland and Chris Ray.


Archive of ‘The Book’

Chapter One | Waking Up

First Published June 25th, 2009

The Crown Victoria

A shot came from behind. Parks heard it, which meant the bullet missed its intended target. His wheels sparked along the asphalt on Page Street as his skateboard picked up downhill speed. He’d already seen the car several times that night, but now it was chasing him—fast.

Parks first noticed the car only because it was a Crown Vic, and assumed it was police. Everyone on the street knew if a Ford Crown Victoria wasn’t a taxi, it usually meant cops—marked or unmarked. If you street skate, avoiding cops is just basic instinct—especially when you’re sixteen and a runaway. So for Parks, even at first glance this car was totally worth avoiding.

As it turned out, it wasn’t police inside the car—not the uniformed kind anyway. Minutes earlier, when Parks passed the black Crown Vic at the corner of Cole and Haight Streets, he caught a glimpse of the man and woman inside. They weren’t in uniform, no inspector suits; they were dressed in people clothes—but still, they had that cop look. The man, who was doing the driving, locked eyes with Parks. And at that moment, Parks knew that whoever they were, they were looking for him. This split-second realization of self-survival gave Parks a precious few minutes for the head start he needed. Quickly, he turned off Haight before the car could turn around in pursuit—zigzagging his way out of the business area. He hoped his dark gray hoodie and black hair would help keep him lost under the weaker neighborhood lighting.

In trying to figure out a spot to hide, he ended up here—on Page—one block above the lower Haight. It was a stupid mistake. Page Street was dead. There were no witnesses and no one to help him. Another shot exploded from behind and this time he was sure he felt wind from the passing bullet.

The Crown Vic was right behind him. Parked cars, blocking the curb on both sides, had Parks trapped in the middle of the street; he had no access to the sidewalk. Without that access, any chance of escape—getting to a safe place—just wasn‘t there. Parks braced himself for the next gunshot; the shot didn’t come. As the car pulled in closer—rapidly eliminating the distance between them—he knew what was about to happen.

Inside the car, the pursuers braced themselves for the impact from the collision. The passenger had her feet planted on the floorboard; her arms remained loose but supported against the dash. The driver gripped his fingers tightly around the ring of the steering wheel, hoping to keep the car headed straight as it hit the body. His foot pressed the accelerator flat to the floorboard.

As the front of the car made contact with his body, Parks felt himself slip from his board. The car pulled his feet under—he blacked out for the briefest moment of time—then stumbled from his board as he came to. The black Crown Vic was across the intersection—half a block away. Screams—from tires trying to grab a piece of the asphalt—penetrated the neighborhood.

Parks had felt the car pass through his body.

(more…)

Chapter Two | The Big Bang

First Published June 30th, 2009

Alternatives

Geli couldn’t remember when she first had them—her “alternatives” as she would eventually call these visions that came to her. Now they happened only occasionally, but they happened almost every day in her preteens. Her mother called it an active imagination. Her father called it daydreaming. Parents find a rational or familiar explanation for everything, because anything away from normal makes them uneasy. Geli learned to keep quiet about it. To her parents, she’d grown out of a phase. Eventually, she almost believed that as well.

There were times though, when she would allow her faith to override her rational thought. When she absolutely needed the visions to be real, they could still come. Since Geli had become a teen, bringing the visions became harder. Now it always required a sustained and concentrated focus, usually on a found object of some sort. She knew that the big glass marble with the blue and pink swirls had no actual magic powers. The marble was just something she had found when she was digging a grave for Fluff Ball—her pet mouse—in the small park near her house.

The patterns of the color swirls moved about inside the clear globe as Geli twisted the marble between her thumb and index finger. The familiar childish feeling of pulling away from reality returned. Fuzzy images of the building behind the Slot came into focus as her peripheral vision of the street, and the sidewalk she was sitting on, became lost in the background.

Geli is walking in a courtyard—a familiar place—a small courtyard she’s certain she knows. It’s the rear courtyard belonging to the dental offices behind the Slot. There’s an old wood fence with several missing boards. The openings in the fence provide a way into the backyard of the hotel.

In the yard the neglected grass is high and thick. Half-hidden by these five-foot tall stalks of grass, is a door. It’s made of bars wrapped with thick wire mesh. The door is one she knows; she’s seen it many times from the other side. It’s in the basement, next to the bins where she’s had to take trash by hand, after one of her fellow tenants clogged the garbage chutes. Now, as her mind walks her up to it, she envisions the door’s tarnished brass lock. Without any real idea if it will work, Geli instinctively pulls her room key from her pocket and successfully uses it to unlock and open the door.

Once inside, she makes her way through the damp dark basement to the stairwell located at the far right end of the building. Quickly—she moves up the staircase to the third floor landing. The landing exits to a fire door at the end of the hallway—next to the common bathroom shared by the tenants on her floor. Geli runs down the hall to her room to find Parks. She busts in—frantically telling Parks something. Whatever she tells him makes Parks run out of her room and over to his own. Geli watches herself quickly throw her most precious items into a duffle bag, then dart out to the hall. Parks is there already, waiting for her. He’s wearing his backpack. His skateboard hangs from his left hand.

Her perspective changes to the empty lobby at the front of the hotel, but she‘s not actually there. Three shapes—covered head to toe in black—enter the empty lobby from the hotel’s front door. Each carries the sort of gun seen in Hong Kong gangster films—the kind with a bullet clip that pops out from the handle. They make their way past the vacant front desk and head up the main staircase. The old wood creaks under their feet.

Geli watches as the shadowy figures arrive at the door to Parks’ room. One of them reaches into a pocket, removing a key. The key slips gently and silently into the door lock. The door is pushed open. Two of the shapes move into the room, each using both hands to hold the guns that lead their way. After a minute, the shape that remained in the hall turns its head, whispering into the inside flap of its black jacket. Half a minute later, the other two return. One of them says something—just a few words—that Geli can‘t hear. The three split up; each heading in a different direction.

Her mind is back with Parks. They make their way down the fire stairs, all the way to the basement—to the door of bars and wire. They walk across the backyard, slip through the hole in the fence and step into the courtyard.

At the medical building on the street behind the Slot, she peeks around the corner. There’s a black Crown Vic parked at the curb. The two men seated inside look similar to the men she saw earlier, when she returned from her visit with the old lady. She thinks they see her. The men step out of the car, holding the same type of guns as the three in the hotel. They head toward the corner of the building where she and Parks are hiding.

Geli and Parks run toward the fence. Someone—from inside the hotel—is at the bar and wire door. The door opens just as she and Parks squeeze their way through the fence and into the backyard. Guns, held by black gloves, appear to float toward at them from both sides. Parks and Geli drop to the ground—huddle together in the tall thick grass—as three guns take aim at their bodies. Explosions—gunfire tears the night. Geli feels life slipping away.

“No,” Geli whispered, as the marble held between her thumb and finger returned into focus. “That is not how it happens.” Geli took a long breath, and then let her mind drift back to the courtyard.

Once again, she crosses the grass, opens the bar and wire door, and makes her way through the basement—to the stairs. She climbs them to her floor. As before, she and Parks pack their stuff and run to the stairs. But this time they don’t go to the basement. This time, they stop at the landing to the lobby.

Geli presses her ear to the fire door. They wait. She can hear the front door of the hotel as it opens. They wait longer. Finally they hear the creaking of the wood staircase as it’s climbed. It would be two or more minutes before they reached the room, discover that Parks is missing and split up to begin their search of the hotel. She waits. There needs to be enough time for the intruders to get past the first floor, to keep them from hearing Parks and Geli as they leave. She holds her finger in the air, indicating for Parks to hold. Then, after a minute, she waves for him to follow her; the two make their way as softly as possible out the front door.

It’s almost too late when Geli sees the black Vic—parked right where she saw it the first time. She feels like an idiot. She’d made a stupid assumption that this car had moved to the back of the hotel. She didn’t consider the likelihood of other cars just like it. It’s obvious to her now that there could be any number of these cars watching—waiting around the neighborhood.

The lights on the street are bright enough to see two people seated inside the car. The glare from the Vic’s window prevents her from seeing any more detail than that. In contrast, the security flood on the front stoop of the Slot has Parks and Geli bathed in three hundred watts of light. Luckily, it seems the two inside the Crown Vic haven’t noticed them yet. Parks and Geli stand there, deer caught in a headlight, before finally thinking to dive out of sight behind the wall next door. There’s still no reaction from inside the parked Crown Vic.

The two kids keep their bodies pressed against the facade of the neighboring building. Another black Crown Vic parked down the street covers the one direction offering a hope of escape. Two streetlights in that half of the block provide the area with weak light, but it’s enough to see that this other Crown Vic is empty. Unfortunately, it’s also enough light for anyone watching the street to see Parks and Geli, if they were to run from the shadows to head for the next block.

Not knowing if it’s her own willed alternative or just dumb luck, Geli feels a surge of opportunity as a bright yellow cab turns the corner. It heads up the street in the direction of the occupied Crown Vic. As it hits a bump in the road, the bouncing headlights trigger the photo sensor on one of the streetlights—the one nearest to where Geli and Parks hide in the shadows. The center of the street goes dark.

Geli pulls Parks by the arm, and they run across the street as fast as they can to the opposite corner at the end of the block. It’s the same corner now soft-focused behind the marble, held pinched between Geli’s thumb and index finger.

She stood up, returned the marble to her pocket, and walked. She walked several blocks out of the way before finally turning back to head up to the street behind the slot—she wanted to make sure the Crown Vic parked at the corner didn’t see her again. She also wanted to see if the other cars were near. There was no way to know when all this was going to happen, but it felt soon to her. If she could confirm that the others weren’t there yet, she and Parks could still have time to escape. She walked also to calm her nerves. She’d just been through two escapes and one of them ended in her death. It wasn’t the first time she had died, but it always took a lot out of her when it happened.

Escape

Waiting for Geli to return, it had only just occurred to Parks that now she might be in danger too. The people trying to kill him might use Geli as a way to do it—to get to him. Trying to squelch this new fear, he reminded himself that Geli was smart, and she’d probably figured the risk of this before he had. Still, the other part of him—the one pushing his nerves—knew there was a chance that Geli hadn’t considered this possibility. The kind of smarts she had came from books; he saw her as seriously lacking street smarts.

Parks had been giving Geli’s old alarm clock a lot of attention; about every five minutes he’d check the time. The new paranoia—Geli kidnapped or something—raised the stakes for the next time check. “Nine o‘clock—crap!” He said. Parks decided to give Geli until nine-thirty to get back. This was a hollow deadline, since he had no idea what he’d do once the time expired. Somehow, he thought pushing the panic off for another half-hour might make him feel better—it didn’t.

If people could really jump out of their skin from fright, what happened next would have caused Parks to do just that. At the least, it felt to him like his heart was trying to make the jump. It seemed to slam against the back of his throat as Geli—in one fluid motion—unlocked, opened, and burst through the door.

“Sorry,” she said, to the chest-clutching ghost boy gasping on her bed. “But you need to hear me and act. We’re leaving right now—get a bag packed—we aren‘t coming back. Some very nasty people are on their way here to get you, and they’ll be here soon.”

“How soon?” Parks asked. She didn‘t answer, and there really wasn‘t a need; there was terror in her eyes, and it told him that it would be soon enough.

“Go!” Geli yelled at him, but he was already halfway out the room and into the hall. She continued barking instructions at his back. “Pack whatever you can in ten minutes. Then meet me in the hall—in front of your room. If you hear anyone on the stairs, don‘t wait—move down the hall and into the fire escape.”

Parks didn’t hear the last of what Geli said because he was in his room before she’d finished. Reacting to warning, that’s a thing Parks did well—he’d learned to. He didn’t wait when someone he trusted had his back; if they told him to go, he moved.

Within thirty seconds he’d unzipped his backpack, jammed in the contents of his closet, and everything from his drawers. The rest of what he owned lay strewn across the floor in little heaps. Working from one end of the floor to the other, the few things he considered worthwhile to take he grabbed and packed from the piles. He stuffed the cash from his nightstand quickly into his pockets, and then used an open hand to scoop everything else remaining on the nightstand into his backpack. He repeated this indiscriminate procedure with the junk on his dresser. He was packed.

Parks had no clue how long it had been—four, six, eight, or ten minutes—when he stepped into the hall with his backpack. He was there before Geli, so he waited. The wait wasn’t very long. Geli, her small frame overloaded by her own backpack and a fabric suitcase she was carrying, came running out of her room. Parks knew that books were the bulk of her problem. He tried to take the suitcase to help her, but she just ran past.

“Come on!” She barked.

Parks followed, as she led the way down the hall to—and through—the fire door. They ran as fast as they could down the fire escape steps—exactly in the way people are not supposed to do in an emergency—until they reached the first floor landing. Geli turned toward Parks and pressed her finger to her lips. But the gesture for him to stay quiet was pointless. Parks was scared—enough that he doubted he had any voice worth silencing.

As they sat on the landing, Geli’s ear pressed to the lobby door—listening, Parks had a chance to reflect a little on Geli’s strange attitude. She was certain that someone was coming for him, but Parks didn‘t understand how she could be that certain. He considered that maybe it came as a warning from the old lady—but the details seemed too exact for that. For example, whatever the reason Geli thought this would happen, she expected them to come in through the front entrance of the Slot—in fact, she seemed to know it.

“I don’t understand,” Geli whispered. “They should be here by now.”

It also seemed odd to Parks that she was acting as if she had a printed schedule of killer arrival times—one to which she fully demanded them to keep. He’d have thought about this a little more, if a sudden panic hadn’t came over him when his hand dropped to his side.

“My board!”

“You don’t have it?” Geli asked in surprise.

“I’ll be right back,” Parks promised as he stood up.

“No!” Geli’s voice was firm. “It’s too late—they’ll be here any minute.”

Parks headed up the stairs, avoiding Geli’s attempt to grab his arm as he took off. “I’m not leaving my skateboard behind,” he whispered back to her from the darkness.

Enforcement

Department of Internal Security - Enforcement Action Number 200: The official document associated with resolution of the Dissimulant issue. It granted extraordinary measures. Without need for a legal warrant, or any other court authority, DIS-EA200 allowed for surveillance, pursuit, and elimination of enemies operating within the United States of America. A copy of this document had held Parks’ name for a month. The EA200 declared him as a national security threat, and live custody was unlikely—but then, in the brief history of the department, no live capture had ever occurred. The DIS was not really an arresting authority—it was enforcement.

Two days ago, under the open surveillance policies granted by the EA 200, the DIS had someone from the Management of Undercover Setups office position a motion sensor in the hotel where Parks was living. The MoUS specialist, unable to find a suitable placement in the room next to the target, was forced to locate it in the room itself—behind the cover of a power outlet next to the bed. This device was not a bug—although DE200 authorized the use of one. The concern for the DIS was only when and where the target was in his room, they weren‘t looking for evidence—the DE200 didn‘t require any—and the existence of any identifiable audio recordings would just leave the door open for possible legal questions.

It was Agents Adams and Carey monitoring the device that evening—the evening of the planned enforcement action. Their log showed Parks moving around the room at twenty hundred hours, and then frantically moving around his room almost an hour later, and then suddenly he stopped. This was within minutes of Poppers and the balance of the crew arriving on the scene. It was reasonable for them to consider a situation where Parks, having suspected something, was now attempting to leave the hotel—and may have already fled from his room. Poppers, forced to reconsider her plan, adjusted for the possibility this intelligence suggested.

The enforcement crew—Poppers and her two agents Lehr and Freelyn—took position along the wall, just outside the hotel’s main entrance. They would wait five more minutes for the sensor to detect movement in the room. Then, if there were no movements detected, they would begin to sweep the property from the first floor to the top. The team at the rear—agents Sterling and Atkins—would leave their car and begin a clean-up sweep at the back, from the basement to the roof. Adams and Carey, staying with the original plan, would remain in their cruiser—watching and reporting on activity outside the hotel.

A minute before the deadline expired and the new plan of action was to go into effect, the motion sensor came alive. Parks was alone, and moving about in his room. Acting on the signal from Carey—three paced flashes of the cruiser’s headlights—Poppers opened the door to the hotel. The misaligned headlights from a passing yellow cab, splashed enough light on the hotel that anyone watching from the street would have seen the three armed figures—dressed foot to face in black—as they entered. Except for Adams and Carey, no one was watching.

The enforcement crew walked as softly as possible up the ancient staircase leading to the hotel rooms. Nevertheless, the age and condition of the wooden stairs made them impossible to keep quiet. Of course, noise would only be an issue if Parks were on the alert—if he was expecting the visit. Poppers restrained from breaking radio silence. She would’ve liked to confirm one last time that Parks was still in his room, but they were now on the third floor—too close to their target to risk any communication.

Doubt

Geli felt certain that the situation wasn’t right. She absolutely remembered that Parks had brought his skateboard along in both her alternative memories. In them, he never went back to his room, and they didn’t wait very long for the guys with guns to show up. If these details were wrong, Geli reasonably worried that other parts of the visions might’ve been wrong.

“He is such a jerk,” she thought to herself.

Geli knew the truth though: she could‘ve stopped him if she’d really tried. Her initial shock at not noticing the missing skateboard compounded with the other messed-up details from her memories. Nervousness and confusion affected the lack of serious effort she gave to keeping Parks from going back to his room. Now, she was unsure of the escape plan.

A noise broke into her self-analysis. The hotel door was opening—it was happening. They’d arrived. Geli realized she had no way to be sure how many there actually were. She could see them when she’d been in the alternatives. In reality though, there was a solid door between her and them. Even if there were still three of them, this time one might remain outside. When Parks and she ran from the building, it would be over before they had a chance. Her doubts about her alternative memories were affecting her judgment. They had limited options; she saw no choice but to go for it.

A sound from outside—tires squealing on the street—delivered a crushing realization. Geli knew immediately that it was the taxi from her last vision. The taxi that was to kill the streetlight and darken their escape route had come too early. No—they were too late, and it was a matter of time before the streetlight timer would kick the lights back on. Geli hadn’t a clue as to how long that might be. Once it did happen, the light flooding the street would eliminate their only escape route. Unless another taxi with cockeyed headlights came along—unlikely really—doom seemed inevitable.

Geli heard the first squeak of someone climbing the lobby stairs. Parks was not back yet, and she worried that maybe he was still in his room. She briefly considered going back up to get him, but by the time she could’ve made it to the third floor, it would be too late. She made the only decision she could: stay where she was. Unless she heard something—gunfire—from upstairs, she’d wait for Parks to return.

She flinched at the sudden sound—footsteps—from the stairwell behind. It had to be Parks. She was sure it was Parks. But she couldn’t shake her fear that maybe it was one of the intruders, doubling back to check the fire escape. The footsteps moved slowly—or seemed to at least—and Geli thought that maybe she should run. She was too afraid though—not for herself, but for Parks. If they separated now, there’d be no way to save him. There was a ninety-nine percent chance—she told herself—that it was Parks coming down the stairs with his skateboard. She took a breath, and waited to see if she was right.

Geli softly released her breath as she saw Parks move into the light at the top of the next landing. Relief at his return replaced her anger over his leaving in the first place—relief, and a sense of urgency to get them both out onto the street before the streetlights reactivated. She picked up her bag, and cracked open the door to peek into the lobby—it was empty.

From the darkness, Parks saw Geli motion for him to follow. Skateboard in his right hand, he used his left to grab his backpack from the floor. Putting it on as he followed Geli into the lobby—to the front door of the hotel.

“When I open the door,” Geli whispered, “we run down to the end of the block and across the street—head toward the Castro.” She paused to make sure Parks was listening. “Right now, the street lights should be off, and we should be okay. If they come back on, stop running and go flat against whatever building we’re in front of.” Geli waited for Parks to nod his head and then continued, “There are two of these guys sitting just out front, in their car. If the lights come on and they’re looking up the street, they’ll be able to see us running on the street—so stay in the shadows.”

Geli didn’t wait for his response. She pulled the door open, plunged through the bright light filling the hotel entry, and dropped into the darkness of the sidewalk just beyond. She didn’t look back. She ran as fast as she could toward the end of the street. Within seconds, the streetlights above her head began to buzz. Instinctively, she jumped to her left. Several small flickers of blue-white light broke in the air above. The middle of the street lit as the streetlights came up full.

Pressing her body against the wall of a building, and doing her best to hold her suitcase suspended next to her, Geli turned her head to look for Parks. Four feet away, pressed against the same building, Parks turned his head toward Geli. The two were shaded, but there was enough light for Geli to see the fear in Parks’ face.

Turning from the left corner, a Crown Vic moving at high speed—squealed onto the street in front of them. From the direction it came, Geli realized that it could be the car from her alternative—the one that was parked behind the Slot. Unbelievably, although they passed by within twenty feet, the two men inside hadn’t noticed Parks and Geli pressed against the wall. The car was speeding toward its twin parked in front of the Slot—working the brakes only as it pulled up alongside.

The men jumped from their car. One of them was speaking into the microphone of a two-way radio he held. They raced to opposite sides of the parked car, and pulled at all four handles on the doors. They yelled at the windows, pounded at them hard, but there was no response from inside.

Geli realized this was an opportunity. She looked over at Parks, but the scene down the street was holding his focus. She pulled him by the arm and took off in a run across the street toward the corner as planned.

“Look!” A man’s voice yelled from behind.

Neither Parks nor Geli knew that the man yelled, not because he had seen them running, but because he had seen something else that—a second later—created a massive explosion. The explosion scattered the pieces of both cars over the street and sidewalk. Even the Slot suffered a broken window as the hood from one of the Vics tore into the second floor. Everything was in flames. It was impossible to know what was human and what was machine. The area where the two cars had been was now a ten-foot wide pothole.

Instinct pulled the two away from the horrible scene. Staying behind to help would’ve resulted in bullets from the others when they came out of the hotel to investigate the explosion. The people killed were the people trying to kill Parks—they had to remember that. Geli and Parks turned away, and ran. They kept running for some time.

Reflections

From behind, as Parks and Geli ran, siren screams moved through the streets, converging on the explosion turned fire that burned in front of the Slot. Parks and Geli didn’t talk—they just ran.

Of the neighborhood Municipal Railway stations, the Muni station at Castro was the busiest. There were only six underground train routes in the Muni system; half came through Castro. The route for the L Taraval ended at the westernmost end of San Francisco—Ocean Beach. This was where Geli was taking Parks to meet the old lady.

Geli slipped her Fast Pass through the scanner, pushed past the turnstile, and into the station. Parks mostly traveled by skateboard—and when he took public transit, jumped the turnstile—so he never bought the monthly Fast Pass. The problem with the Castro station was that there was only one entrance—no chance to find the unmanned booth—it was impossible to avoid the fare. He just dug into his pocket for the quarters to pay the fare.

“Get the transfer,” Geli reminded him. She pointed her finger at the transfer card as it popped out from the turnstile. “Always get the transfer.”

Parks saw the transfer as a golden ticket for the unwheeled San Franciscan. They were bus-dependent people who lived without a bike, or skateboard. Transfers were good for ninety minutes, up to two hours. The expiration times varied for transfers issued by drivers, depending on the driver’s whim. The turnstile-generated transfers were ink-stamped with the date and a time—exactly 90 minutes from when you dropped your fare.

Their route was direct, they wouldn’t be transferring to another bus or train, and they’d be out at Ocean Beach longer than an hour and a half. Nevertheless, Parks grabbed the transfer and stuffed it into his pocket. He wasn’t up for an argument with Geli over the issue.

Even late in the evening the Castro station wasn’t empty—it never was until it closed. At night, most of the crowd was on one side of the track, it was the platform for trains heading inbound—toward downtown. Parks and Geli waited in silence, along with only three other people on the outbound side, for the next L train in the tube. Neither of them knew how to talk about what they’d seen, or been through that night.

Parks dropped his gaze to scan the tracks, look at the trash and count the various items dropped by commuters throughout the day. Geli pretended to read the advertising plastered along the wall, but her attention was really somewhere else—on a guy she caught watching them from the moment they’d walked down to the platform. He didn’t stare—but she saw him.

He was a good-looking guy, in his twenties—very dark skin. Dressed neatly, but not in anything that would stand out, he looked more like a graduate student to Geli than a threat. In fact, the more she tried to catch him looking again, the more she realized that she was probably just being paranoid. He was clearly more interested in what was playing through his earbuds than he was in anyone on the platform.

It was about a five-minute wait before the train pulled in and everyone on the platform boarded. As usual on public transit, the passengers spread themselves evenly among the empty seats—maintaining as much personal space buffering as possible. The man who had so interested Geli on the platform, now seemed entirely disinterested in them. He took a seat at the other end of the train and stared blankly across the aisle. Whatever it was that had aroused her suspicions, she couldn’t see it now. Geli looked over at Parks to see if he’d noticed the man, but she could see he was too absorbed in other thoughts.

Parks had done dangerous things in his life, with dangerous people—he’d always thought so anyway. He’d been scared before, even really scared. But fighting to save his life was different than risking it; this was scary at a new level. The fear made him nauseous. It occupied his mind to the point that he honestly didn’t know if he could continue—if he could take any more. Turning to look out the window, he stared into the empty blackness of the tunnel, hoping to hide the moisture in his eyes.

Parks always considered running—the getaway—as pure instinct. When there’s a chance to stop and think, then fear takes over—it sabotages the brain. He’d once seen something on TV, an interview with a guy who survived a shark attack while surfing. The man never feared sharks, not before the attack, as it happened, or immediately after the attack. It was only after a minute—on the beach, when his friends were pulling him to safety—that his fear started. The further they got him up the shore—the safer he was—the more his fear grew. He knew rationally that the water line stopped the shark; it wasn’t coming after him on land. Still, the idea that it was out there—determined to get its meal back—stayed in the surfer’s head for years.

Parks wondered if the people who were after him would keep coming until they successfully finished him off. It seemed obvious now that it wasn’t only a few people after him; it was some sort of organized group. He felt sure they would keep coming—and coming—until they killed him. He wasn’t sure how an old lady was going to help that.

The questions were running through his head. He didn’t even know what Geli was trying to do with him. What relevant information could the old lady have about him? Geli said she’d only met this lady recently, and Parks had never met her. How safe was she? Then a thought crept into Parks’ mind, an unpleasant one—unthinkable—which he attempted to ignore. Because if it were true—if the old lady was just a trap—they had no safe place to run, and it was already over for them. It was certainly possible. They could all be working together to get Parks and Geli out to a desolate spot, to kill them.

He was creeping himself out now—looking around the train with a nervous eye—worrying that maybe they were being followed. In some way, everyone on the train looked to Parks as if they might be trouble. The two women seated three rows up—short hair, good shape—could be cops. The older guy standing in the middle of a train with so many empty seats—why was he standing? The couple in the next section—they were definitely looking toward Parks and Geli, but they were too old for cops. Then there was the black guy seated at the far end, chewing gum and paying absolutely no attention to anyone in the train—the sort of behavior that always made Parks suspicious. Was this guy a tail to see that they made it to the trap?

Parks fought his paranoid thoughts, wanting to push them away. The old lady being a trap made no sense, not with how it all went down. If someone were luring them to the old lady’s house, blowing up the cars back at the Slot was a pointless diversion. They—whoever they were—could’ve just let Parks and Geli escape as they were trying to do. They were running already, they didn‘t need the explosion effects to scare them along.

However, it could’ve been something else—the explosion could, instead, have been a diversion for their benefit—protection to help them escape. If that was the situation, then who was the protector? An old lady? They idea of her sitting on a porch, soldiering detonator wires to bombs—scores of adopted cats rubbing up against her legs—was a funny image, but doubtful as likely. Somebody made a bomb though—two exploded cruisers were the proof of that. Parks looked down the aisle, to the guy at the end of the train; he didn’t look the type either. In fact, Parks decided that he was just letting himself get psyched out by fear. The guy looked more or less like any normal college dude. He was in his own world, listening privately to tunes and blowing the occasional bubble. He barely looked up at all; but when he did—it just seemed to Parks that he had more interest in them than he did the others on the train. But he didn’t look like a cop; Parks was confident that he could tell the difference.

Geli tried to distract her mind from thoughts and questions she just didn’t have the experience to deal with yet. But the events—what went wrong back there—wouldn‘t stay out of her head. She must’ve missed something, one or more details she felt she needed to find. Nothing about the visions felt wrong—different from any others—but there were some holes in them. Parks forgetting his skateboard was odd. Could that have changed the timing? The people, who came for Parks, entered the hotel several minutes late. Why was that? She realized it was good they did. If they came when they should’ve, they’d have run right into him when he went back to get his skateboard. Everything worked out for the best, but that wasn’t the point. Things didn’t go according to the way she’d seen them happen—Geli wanted to know why. She was compelled to find some connections.

One of Geli’s lessons, gained from walks with the old lady, was the notion that events and actions all relate to one another; this was something they talked about several times. Going back far enough, a common link—even for seemingly unrelated events—always exists: A man moves a chair in Sydney; a man stubs his toe in New York; somewhere in time, the two realities converge—at several points actually. As branches stemming from a common point in time, they affect each other—past and future. Geli wasn’t looking for some abstract in time or space; she felt some immediate connections exist to the circumstances of this incident. She didn’t think she’d have to go back too far to find them.

The missing skateboard, the late arrival of the people in black, the taxi coming too soon—were all wrong in her visions. Geli wasn’t as sure about the explosion. She cut her vision short once she and Parks escaped around the corner to safety. If she’d waited—kept the vision going—the explosion might‘ve occurred in the same way. There was no way to know about that.

The skateboard seemed to be a key; it was the constant—tied to all the alternatives. Parks always had his skateboard with him when the bad guys entered the hotel. The obvious idea, that they had a tracking device planted on Parks skateboard, seemed unlikely. When he brought the board with him into the fire escape, they didn’t follow it—they went straight for his room. That was the same in every one of the alternatives; they always went to his room. Whatever the reason was, Geli felt that the skateboard played some part in the timing change; it was the first thing that was different from how it should’ve happened. Everything changed after Parks forgot his skateboard.

Geli knew that she didn’t have the skills necessary to filter through the information on her own. She needed help analyzing the differences between what actually happened and what she experienced in the alternatives. Understanding exactly what that was, needed to wait until she could consult with the old lady. It was useful to know that her visions could be wrong. This was something she’d never experienced before. To play it safe, for now she’d limit the level of trust she gave her alternate realities.

Parks hated feeling scared. He could feel Geli constantly glancing over—worried about him, like an older sister. That wasn’t the look he wanted from her. He wanted her to think of him as tough, street—whatever it was that wasn’t shaking and fighting back tears. He needed to fight the fear—get angry. It’s the way he’d learned survival.

The first big lesson came from a bike chain—the night Rob threatened him with it. It wasn’t the first time, but Rob was drunk—more than usual—he looked like he might follow through on the threat. That night, Parks didn’t care—he‘d had enough of being pushed around. He was scared, but he stood firm. Staring threateningly into Rob’s eyes, he made the decision he wouldn’t back down. He made it clear; if Rob held the threat, it would have to go all the way. And he meant it—Parks knew he would fight Rob if he had to; he didn‘t even care how it would end. He wanted that message sent to his foster dad. It was obvious that Rob got it.

The standoff worked. It was the last threat Rob ever tried on Parks. After that, the two simply coexisted—tolerated each other—but each stayed out of the other’s way. It was a revelation for Parks. Life bullied the scared and weak, but those who seemed dangerous, angry, a threat—were left alone. And Parks just wanted everyone to leave him alone. At that moment, starting with his foster dad, Parks knew he’d put an end to the threats and the attempts of others to bully him. Going forward, personal control had shifted.

Now, when he got scared, Parks didn’t let the feelings linger. He had gained the ability to channel pain and fear into strength and action. But was that only for childhood threats? He wasn‘t in any way sure he had the strength to turn his fear around in this situation. This all was very different—very real—they meant to kill him. Shaking off this fear was harder.

The train was passing through the last tunnel, into West Portal station. The remainder of the route would continue outside, along the street. The ten minutes since leaving Castro—only a third of their trip—seemed to have taken an hour. Parks and Geli still hadn’t spoken a word.

To take her mind away from the seemingly hopeless search for connections, Geli focused her thoughts on home. She’d been away for a week already; she needed to get back. Once she brought Parks safely to the old lady, she’d go back home for the night. There was nothing for her to do after that, she’d made her decision; now it was up to Parks. After he learned about the Reveal, it would be for him to take the next step on his own. She might as well wait out his decision in the comfort of home.

She’d left Marionville for San Francisco right after finishing her report on rationing during World War II. It all seemed so much longer than a week ago. She barely remembered it now. Once she stepped back, it would return to her—it always did—just as the events here would fade until she returned. Then at least, the battle dwelling in her brain to find connections would be over until Parks’ decision brought her back.

Crossing between realities was definitely getting easier, or she was getting better at it; she consistently hit her target time within a half-hour. The problem last time was her leaving so late. Completing the history report had taken longer than she planned, forcing her to leave home very close to dinnertime. If her mom came up to get her for dinner, Geli didn’t want to be missing from her room—or worse—have her mom in the room when she completed the crossover and suddenly materialized in front of her. It would be ridiculously hard for anyone to explain living two lives at the same time to a parent. They just weren’t any good understanding things outside of their own experience—it was a parent thing.

Now, bothered by the worry of poor timing and imagining having to explain things to her parents, Geli pressed her mind back to the moment and the events at the Slot. It was beginning to occur to her that something Parks did in the room, when he went back for his skateboard, might have been the trigger. If these people were watching his window from the outside, his turning on his lights when he returned to get his skateboard could’ve been the signal for them to enter the building. The problem with the theory was that his room was toward the back of the hotel. Unlike her room, the windows—and therefore the lights—in Parks’ room weren’t visible from the street. And the dental offices blocked the view of the windows from the street behind the slot.

She looked over at Parks, thought about asking him what exactly he did after he left the fire escape, but decided against it—he looked far more shook-up than even she was. He didn’t know what was happening. As far as Geli knew, he didn’t even suspect what he was. She thought that if she could just take his mind off things for a bit, maybe get him to laugh, then she could casually ask him some questions. She liked his laugh. He snorted when he really lost it.

Banana Story

Geli thought of a story to distract Parks for a while. He liked to hear about her family, probably because it was such a contrast to his own experience. As if he was a visiting alien, he asked about the most mundane stuff: games they played, cooking, arguments—really boring sometimes. She didn’t mind that he’d poke fun at her stereotypical middle-American upbringing. For all the jokes, she could see that he clung to the image her stories created. Geli decided to use that to break the silence.

“Did I ever tell you about the time my dad tried to break the world record for banana eating?” She asked him.

Parks was grateful for the chance to break away from the thoughts that kept creeping into his head. He answered her with a well-intentioned insult. “No, but your family sounds nuts enough to try something like that.”

“I said my dad tried to break the record.”

“Uh huh,” Parks nodded.

“Okay,” Geli admitted, “we all did try it—eventually, but it was his idea first. We just got into the family spirit.”

He wished he could meet Geli’s dad, who sounded like a lot of fun—despite Parks calling him a “fascist father” because he insisted on curfews, restricted online access and made everyone in the family cook dinner together. Still, her parents sounded goofy enough in her stories and he thought it would be cool to meet them someday.

“The official record was six bananas in ninety-five seconds,” she explained.

“No way,” Parks said. “Anyone could eat six bananas in a minute and a half—probably in a minute.”

“I know, right? That‘s what we figured—at least one of us could eat seven or eight in ninety-five seconds.”

This was the sort of thing Parks loved—the way Geli described her family. Weird little things they decided they just had to test. It was always something stupid, but the story sucked Parks in.

“Dad went to the store and bought the bananas—twenty-eight of them—even though Benny was only nine and nobody figured he’d really be able to eat his seven.”

“I wonder what they thought at the store with your dad buying all those bananas.”

“Dad said he told them we found an orphan monkey on our doorstep; we were going to use the monkey to start a neighborhood zoo.” Then, as if she couldn’t help herself, Geli pointed out that although monkeys would eat a banana if you gave them one, banana trees weren’t native to where monkeys live.

“Okay, thanks for the lesson,” Parks said dismissively. “So what happened? Did anyone break the record?”

“No. My dad ate five in the first minute, and then couldn’t choke down even half of one in the last thirty seconds. It was really much harder then you’d think. My mom stopped at three, but I think she was just playing along and not really trying to beat the record”

“What about you, and Benny?”

“I made it to five, but used up the whole minute and a half. Benny—he ate six and a half. Then, all of a sudden, his face went pale. We could see he was going to get sick but there was nothing we could do.”

Parks realized what was coming. Since the time he’d once told Geli that nothing grossed him out, she’d tried to disprove the claim several different times. It had become a personal challenge for her—a game of stealthily bringing him to a point where he‘d gag. It never worked, but for her own reasons she kept trying.

“It was gross,” she said. “It came out of his mouth like a fountain; the spaghetti we had for dinner and chunks of barely-chewed banana poured out into a puddle across the kitchen table.”

Parks, who had an amazing sense of when someone was telling the truth and when they weren’t, was helpless when it came to Geli. The banana story was ridiculous, unlikely, but just possible for the picture of her family that Parks had painted in his head—nothing in her face gave it away as a made up anecdote. She’d led him along until she brought him to the punch line. It didn’t make him nauseous; it made him want to laugh. In that sense, her diversion had worked.

Feeding on their joint laughter, they each took turns embellishing the story, and topping the other’s description of the puke; calling it “a banana spit,” or “Benny’s extra-chunky spaghetti sauce.” It was nonsense, but it let Parks and Geli forget about Crown Vics, guys with guns and even the explosion—for a bit.

Parks and Geli hadn’t even noticed that except for the college guy at the end, everyone had gotten off the train. Now that guy was standing to leave too. Neither Parks nor Geli had said anything about their original suspicions of the man. Since he was exiting—going his own way—mentioning it now seemed pointless. It was obvious that he wasn’t following them to the end. The man blew one last enormous orange bubble as he stepped down from the train; then with a pop, sucked the gum back into his mouth. The door closed behind him. The train moved on.

“Final stop coming up,” the Muni driver announced. “All passengers must exit the train.”

Just as they were the only two passengers remaining to step off the train, they were also the only two people around once they stepped onto the street. Not many people had reason to be out at the end of Sloat Boulevard so late. People did live out here—in brightly painted houses—but no one that lived here was walking around at ten o’clock. No one else in the city had reason either. The area’s main attraction: the zoo, closed hours earlier. There were no clubs, no stores, and except for a delivery-only pizza joint, none of the area’s restaurants stayed open at night. This far end of the Sunset District was down for the night. Even the ocean seemed closed, hid from sight by a thick cover of San Francisco fog. The roar and salty wind-whipped spray in the air was the only evidence that—only three hundred feet to the west—the Pacific Ocean was churning away in the darkness.

The heavy fog made it a damp three-block walk from the train platform to the old lady’s house. In the rush to get out of the Slot, neither had thrown on enough layers of clothing. The chill quickly worked its way through to their skin. Nevertheless, the walk gave Geli a chance to prepare Parks—in some small way—for what he was about to experience. He’d be skeptical if she gave him too much detail, she knew that, but his mind needed to be open in order to accept what he would see and hear in the next few hours.

“Even the house,” she said, “and the property it’s on, will be like nothing you’ve ever experienced Parks.”

The weirdness of the old lady’s house didn’t worry Parks; Geli tended to dramatize her descriptions. It would have to be very unusual to raise an eye on anyone living in San Francisco. A floating house or a dungeon would impress him. Unless underground, or hovering a few inches over the land, he doubted this house was anything but one of the tens of thousands of wildly painted houses in the city. Some were cool, but nothing was mind-blowing. No, it wasn’t likely to be the old lady’s house to impress or worry Parks. But the warnings Geli gave about the old lady did rattle him. Instead of convincing Parks that they were doing the right thing in coming here, the words she was saying were making him want to back out. If he didn’t know that she’d stop him from trying to turn around and leave, Parks would’ve just looked for another plan.

She told him the chances were likely that the things he learned from the old lady would scare him—not just about the people trying to kill him, but other dangers he‘d never knew existed. Her comments about these crazy things the old lady would say included a caution that she had a tendency to fall asleep—drift away—in mid-conversation, usually only for seconds at a time. Geli said that he’d eventually learn what that was all about, but for now, he should just ignore it, and wait for the old lady to come back.

The speed at which she was talking, and the fact that everything she said sounded like a puzzle, made it seem to Parks that Geli was simultaneously trying to avoid telling him too much, but trying to cram as much of it into the walk as she could. The last thing she said—just before they turned the last corner—made Parks wonder if Geli was bringing him into some sort of cult.

“Here’s what it boils down to tonight, Parks.” Her eyes were grave and penetrated deep into his as she spoke. There was a very different way about her at that moment—somber—as if she’d blocked any shred of humor in order to impress Parks of the seriousness in her words. “You’re going to learn about something amazing and surreal. You will have the choice to believe it, or not; ignore it, or not; accept it, or not. This will be the most important decision you will ever make in your life, and I can’t tell you what to do.”

It was hard for Parks to understand his own feelings at this moment. The night’s events had already given an eerie dream-like quality to everything that was happening. What he was hearing from Geli—although it seemed bizarre—made sense in this place—a way that the strange places and bizarre events of a dream somehow make sense. It made him nervous too.

Then, as suddenly as it had gone serious seconds earlier, Geli’s face changed again. A childlike sense of joy and excitement seemed to take it over. She took Parks by the hand, and they turned the corner. And—as if the world wanted to show Parks that there were still things that could blow his mind—he got his first look at the old lady’s property.

It stood out from all the neighboring houses. For one thing, the other houses—built toward the front of their lots—had less than ten feet separating them from the street. This house was set back more than halfway into the property. Then, there was the fact that every other house around was almost exactly the same height. In fact, they all had pretty much the same appearance in general. But the old lady’s house was no taller than a garage. In no way did it look anything like the other buildings on the street. It seemed now to Parks that Geli might not have over-exaggerated her description of the lady—not if what he was looking at was any indication of her personality—she certainly hadn’t over-exaggerated the house.

It was strange. The old lady’s house was strange; the front yard was stranger still. It would have been an eyesore in any neighborhood except the beach, and probably even here. In any city other than San Francisco, it would have been infamous— the sort of place inhabited by a crazy lady who shoots trespassers with rock salt. Parks had lived in some weird neighborhoods, been to some crazy-ass places, but he’d never seen anything like this.

(more…)