This novel is about Parks, a teenager who rides skateboards, plays video games and drinks soda.

Up until now, he's managed to watch a few action-adventure movies, visit a few amusement parks and survive as a kid on his own. Unlike the average teen, he's avoided promoting himself in places like myspace, facebook and other online communites. He's not an anti-social youth, he's just a kid on the run.

Basically, Parks is a teenager. Restless around others except his friend Geli. He likes to see movies about heroes and warriors but he doesn't really want to be one himself.

The story is also about Geli, who turns eighteen years old in a few months. She's a smart kid, who likes to read books, study for school and plans to change the world.

She's a teenage girl faced with the realities of becoming an adult. In a few months, she'll be starting that adult life as a college student.

The real story is how these two teenagers became friends and became involved in an adventure to save their world.

Two young people, who meet in San Francisco and discover that they have a common destiny. They have special abilities, not unlike their favorite heroes in books or movies.

Together they learn how to use these almost magical abilites, to save their lives and save the world.

The adventure of this story begins one night, when Parks is riding his skateboard, using bike lanes to move around the San Francisco streets. He notices that he is being followed. When he tries to avoid the car, the chase becomes more serious as it looks like it wants to run him down.

As the adventure story progresses, the two teenagers become involved in their own real-life video game, action film and fantasy novel. But in this case the adventure is real, the magic is real and the bad guys are very real.

Skateboards, video games, super heroes and characters in a novel; are all put away as the the two teens begin a real stuggle for survival in a changing world.

Afterall, being a kid in an adult world was never easy. Maybe with a few supernatual talents, the playing field can be leveled.

About Harry Potter: Amazon.com Review Say you've spent the first 10 years of your life sleeping under the stairs of a family who loathes you. Then, in an absurd, magical twist of fate you find yourself surrounded by wizards, a caged snowy owl, a phoenix-feather wand, and jellybeans that come in every flavor, including strawberry, curry, grass, and sardine. Not only that, but you discover that you are a wizard yourself! This is exactly what happens to young Harry Potter in J.K. Rowling's enchanting, funny debut novel, Harry Potter and the Sorcerer's Stone. In the nonmagic human world--the world of "Muggles"--Harry is a nobody, treated like dirt by the aunt and uncle who begrudgingly inherited him when his parents were killed by the evil Voldemort. But in the world of wizards, small, skinny Harry is famous as a survivor of the wizard who tried to kill him. He is left only with a lightning-bolt scar on his forehead, curiously refined sensibilities, and a host of mysterious powers to remind him that he's quite, yes, altogether different from his aunt, uncle, and spoiled, piglike cousin Dudley. A mysterious letter, delivered by the friendly giant Hagrid, wrenches Harry from his dreary, Muggle-ridden existence: "We are pleased to inform you that you have been accepted at Hogwarts School of Witchcraft and Wizardry." Of course, Uncle Vernon yells most unpleasantly, "I AM NOT PAYING FOR SOME CRACKPOT OLD FOOL TO TEACH HIM MAGIC TRICKS!" Soon enough, however, Harry finds himself at Hogwarts with his owl Hedwig... and that's where the real adventure--humorous, haunting, and suspenseful--begins. Harry Potter and the Sorcerer's Stone, first published in England as Harry Potter and the Philosopher's Stone, continues to win major awards in England. So far it has won the National Book Award, the Smarties Prize, the Children's Book Award, and is short-listed for the Carnegie Medal, the U.K. version of the Newbery Medal. This magical, gripping, brilliant book--a future classic to be sure--will leave kids clamoring for Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban. (Ages 8 to 13) --Karin Snelson --This text refers to the Hardcover edition. From Publishers Weekly Readers are in for a delightful romp with this award-winning debut from a British author who dances in the footsteps of P.L. Travers and Roald Dahl. As the story opens, mysterious goings-on ruffle the self-satisfied suburban world of the Dursleys, culminating in a trio of strangers depositing the Dursleys' infant nephew Harry in a basket on their doorstep. After 11 years of disregard and neglect at the hands of his aunt, uncle and their swinish son Dudley, Harry suddenly receives a visit from a giant named Hagrid, who informs Harry that his mother and father were a witch and a wizard, and that he is to attend Hogwarts School of Witchcraft and Wizardry himself. Most surprising of all, Harry is a legend in the witch world for having survived an attack by the evil sorcerer Voldemort, who killed his parents and left Harry with a lightning-shaped scar on his forehead. And so the fun begins, with Harry going off to boarding school like a typical English kid?only his supplies include a message-carrying owl and a magic wand. There is enchantment, suspense and danger galore (as well as enough creepy creatures to satisfy the most bogeymen-loving readers, and even a magical game of soccerlike Quidditch to entertain sports fans) as Harry and his friends Ron and Hermione plumb the secrets of the forbidden third floor at Hogwarts to battle evil and unravel the mystery behind Harry's scar. Rowling leaves the door wide open for a sequel; bedazzled readers will surely clamor for one. Ages 8-12. Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition. From School Library Journal Grade 4-7-Harry Potter has spent 11 long years living with his aunt, uncle, and cousin, surely the vilest household in children's literature since the family Roald Dahl created for Matilda (Viking, 1988). But like Matilda, Harry is a very special child; in fact, he is the only surviving member of a powerful magical family. His parents were killed by the evil Voldemort, who then mysteriously vanished, and the boy grew up completely ignorant of his own powers, until he received notification of his acceptance at the Hogwarts School of Witchcraft and Wizardry. Once there, Harry's life changes dramatically. Hogwarts is exactly like a traditional British boarding school, except that the professors are all wizards and witches, ghosts roam the halls, and the surrounding woods are inhabited by unicorns and centaurs. There he makes good friends and terrible enemies. However, evil is lurking at the very heart of Hogwarts, and Harry and his friends must finally face the malevolent and powerful Voldemort, who is intent on taking over the world. The delight of this book lies in the juxtaposition of the world of Muggles (ordinary humans) with the world of magic. A whole host of unique characters inhabits this world, from the absentminded Head Wizard Dumbledore to the sly and supercilious student Draco Malfoy to the loyal but not too bright Hagrid. Harry himself is the perfect confused and unassuming hero, whom trouble follows like a wizard's familiar. After reading this entrancing fantasy, readers will be convinced that they, too, could take the train to Hogwarts School, if only they could find Platform Nine and Three Quarters at the King's Cross Station. Eva Mitnick, Los Angeles Public Library Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition. From The Washington Post Obviously, Harry Potter and the Sorcerer's Stone should make any modern 11-year-old a very happy reader. The novel moves quickly, packs in everything from a boa constrictor that winks to a melancholy Zen-spouting centaur to an owl postal system, and ends with a scary surprise. --This text refers to the Hardcover edition. From AudioFile If you haven't heard of Harry Potter then you haven't turned on your TV or radio or opened a newspaper in the last few months. For the uninitiated, Harry is a young orphan who is living with his nasty relatives when he's summoned to claim his magical heritage by attending Hogwarts School of Witchcraft and Wizardry. What could be better (or more satisfying to children) than studying, not English and chemistry, but Potions and Defense-Against-the-Dark-Arts? Jim Dale, with his fully voiced reading, brings the world of wizards to life in ways unimagined even by those who have read and re-read the book. The accents are sure, the inflections perfectly suit the characters, and some of Rowling's particularly inventive bits, like the game of Quidditch, become clearer. Sometimes poignant, often funny, Dale's interpretation of this enchanted other world is the consummate family-listening experience. S.G. Winner of AUDIOFILE Earphones Award. (c) AudioFile, Portland, Maine --This text refers to the Audio Cassette edition. From Booklist Gr. 4^-7. Orphaned in infancy, Harry Potter is raised by reluctant parents, Aunt Petunia and Uncle Vernon, an odious couple who would be right at home in a Roald Dahl novel. Things go from awful to hideous for Harry until, with the approach of his eleventh birthday, mysterious letters begin arriving addressed to him! His aunt and uncle manage to intercept these until a giant named Hagrid delivers one in person, and to his astonishment, Harry learns that he is a wizard and has been accepted (without even applying) as a student at Hogworts School of Witchcraft and Wizardry. There's even more startling news: it turns out that his parents were killed by an evil wizard so powerful that everyone is afraid to so much as utter his name, Voldemort. Somehow, though, Harry survived Voldemort's attempt to kill him, too, though it has left him with a lightning-shaped scar on his forehead and enormous celebrity in the world of magic, because Voldemort vanished following his failure. But is he gone for good? What is hidden on the third floor of Hogworts Castle? And who is the Man with Two Faces? Rowling's first novel, which has won numerous prizes in England, is a brilliantly imagined and beautifully written fantasy that incorporates elements of traditional British school stories without once violating the magical underpinnings of the plot. In fact, Rowling's wonderful ability to put a fantastic spin on sports, student rivalry, and eccentric faculty contributes to the humor, charm, and, well, delight of her utterly captivating story. Michael Cart --This text refers to the Hardcover edition. From Kirkus Reviews In a rousing first novel, already an award-winner in England, Harry is just a baby when his magical parents are done in by Voldemort, a wizard so dastardly other wizards are scared to mention his name. So Harry is brought up by his mean Uncle Vernon and Aunt Petunia Dursley, and picked on by his horrid cousin Dudley. He knows nothing about his magical birthright until ten years later, when he learns he's to attend Hogwarts School of Witchcraft and Wizardry. Hogwarts is a lot like English boarding school, except that instead of classes in math and grammar, the curriculum features courses in Transfiguration, Herbology, and Defense Against the Dark Arts. Harry becomes the star player of Quidditch, a sort of mid-air ball game. With the help of his new friends Ron and Hermione, Harry solves a mystery involving a sorcerer's stone that ultimately takes him to the evil Voldemort. This hugely enjoyable fantasy is filled with imaginative details, from oddly flavored jelly beans to dragons' eggs hatched on the hearth. It's slanted toward action-oriented readers, who will find that Briticisms meld with all the other wonders of magic school. (Fiction. 10-14) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition. Review ...funny, moving and impressive.... Like Harry Potter, [J.K. Rowling] has soared beyond her modest Muggle surroundings to achieve something quite special. -- The New York Times Book Review, Michael Winerip --This text refers to the Hardcover edition. Review “Wonderful…Funny, moving and impressive” - The New York Times Book Review “A delightful award-winning debut from an author who dances in the footsteps of P.L. Travers and Roald Dahl” - Publisher Weekly starred review Product Description New Jacket artwork by Mary GrandPre Additional four-color frontispiece artwork from Mary GrandPre Two pages of special content from J.K. Rowling Full cloth case with gold stamping 28 million copies sold worldwide! The wickedly funny debut novel from master storyteller J.K. Rowling tells the story of Harry Potter who, having endured 11 miserable years with his hideous aunt and uncle, is invited on his 11th birthday to attend Hogwarts School of Witchcraft and Wizardry. There he learns of his distinguished wizard pedigree—and his frightening destiny. About Twilight: Amazon.com Review The book that started the phenomenon is now available in a deluxe collector's edition! Featuring a ribbon bookmark, cloth cover, ragged edges, new chapter opener designs, and a beautiful protective slipcase, this edition is perfect for fans and collectors alike. Bella Swan's move to Forks, a small, perpetually rainy town in Washington, could have been the most boring move she ever made. But once she meets the mysterious and alluring Edward Cullen, Bella's life takes a thrilling and terrifying turn. Up until now, Edward has managed to keep his vampire identity a secret in the small community he lives in, but now nobody is safe, especially Bella, the person Edward holds most dear. Deeply romantic and extraordinarily suspenseful, Twilight captures the struggle between defying our instincts and satisfying our desires. This is a love story with bite. From School Library Journal Grade 9 Up–When Bella Swan moves from sunny Phoenix to Forks, Washington, a damp and dreary town known for the most rainfall in the United States, to live with her dad, she isnt expecting to like it. But the level of hostility displayed by her standoffish high school biology lab partner, Edward Cullen, surprises her. After several strange interactions, his preternatural beauty, strength, and speed have her intrigued. Edward is just as fascinated with Bella, and their attraction to one another grows. As Bella discovers more about Edwards nature and his family, she is thrown headlong into a dangerous adventure that has her making a desperate sacrifice to save her one true love. One of the more original vampire constructs around, this recording of Stephenie Meyers debut novel (Megan Tingley Books, 2005) is narrated with great style by Ilyana Kadushin, who makes the infinitely romantic tale of star-crossed lovers resonate with a bittersweet edge. Although Edward and Bellas romance and subsequent danger develops slowly, the pacing is appropriate for teens who want learn all the details in this suspenseful tale. An excellent purchase for both school and public libraries.–Charli Osborne, Oxford Public Library, MI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title. From AudioFile Stephanie Meyer's teen-vampire romance offers an appealing heroine in Bella, transplanted from sunny Phoenix to the wet, dreary town of Forks, Washington, and the seductive, secretive object of her obsession, Edward, who may or may not be a vampire. Predictability doesn't keep this spine-tingling tale from being fun, but alas, Ilyana Kadushin's reading, does. Her speaking voice is thin and underdeveloped, and any sense of nuance is nonexistent. Kadushin doesn't try to give the characters personalities, so distinguishing between speakers is difficult. This is one of those rare times in audiobook listening when the writing exceeds the reader's capabilities. Still, the story is engrossing and the characters well drawn, ensuring that older teens will find much to enjoy. S.J.H. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition. From Booklist *Starred Review* Gr. 9-12. In the tradition of Anne Rice and YA titles such as Annette Curtis Klause's The Silver Kiss (1999) comes this heady romance that intertwines Bella Swan's life with that of Edward, an alluring and tormented vampire. Bella's life changes when she moves to perpetually rain-soaked Forks, Washington. She is instantly drawn to a fellow student, Edward Cullen, beautiful beyond belief and angrily aloof. Bella senses there is more behind Edward's hostility, and in a plot that slowly and frighteningly unfolds, she learns that Edward and his family are vampires--though they do not hunt humans. Yet Edward cannot promise that his powerful attraction to Bella won't put in her in danger, or worse. Recklessly in love, Bella wants only to be with Edward, but when a vicious, blood-lusting predator complicates her world, Bella's peril is brutally revealed. This is a book of the senses: Edward is first attracted by Bella's scent; ironically, Bella is repelled when she sees blood. Their love is palpable, heightened by their touches, and teens will respond viscerally. There are some flaws here--a plot that could have been tightened, an overreliance on adjectives and adverbs to bolster dialogue--but this dark romance seeps into the soul. Ilene Cooper Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition. Review Praise for Twilight: A New York Times bestseller A New York Times"Editor's Choice" A Publishers Weekly Best Book of the Year A Publishers Weekly"Kids' Book Adults Would Love" An Amazon "Best Book of the Decade * So Far" An ALA "Top Ten Books for Young Adults" * "Propelled by suspense and romance in equal parts [this story] will keep readers madly flipping the pages of Meyer's tantalizing debut." -Publishers Weekly (starred review) * "The novel's danger-factor skyrockets as the excitement of secret love and hushed affection morphs into a terrifying race to stay alive. Realistic, subtle, succinct, and easy to follow, Twilight will have readers dying to sink their teeth into it."-School Library Journal (starred review) * "In the tradition of Anne Rice. . . this dark romance is gripping." -Booklist (starred review) Product Description About three things I was absolutely positive: First, Edward was a vampire. Second, there was a part of him–and I didn’t know how dominant that part might be–that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him. “I’D NEVER GIVEN MUCH THOUGHT TO HOW I WOULD DIE– I’d had reason enough in the last few months –but even if I had, I would not have imagined it like this. . . . Surely it was a good way to die, in the place of something else, someone I loved. Noble, even. That ought to count for something.” When Isabella Swan moves to the gloomy town of Forks and meets the mysterious, alluring Edward Cullen, her life takes a thrilling and terrifying turn. With his porcelain skin, golden eyes, mesmerizing voice, and supernatural gifts, Edward is both irresistible and impenetrable. Up until now, he has managed to keep his true identity hidden, but Bella is determined to uncover his dark secret. What Bella doesn’t realize is the closer she gets to him, the more she is putting herself and those around her at risk. And, it might be too late to turn back. . . . Deeply seductive and extraordinarily suspenseful, Twilight will have readers riveted right until the very last page is turned. --This text refers to the Audio CD edition. About the Author Stephenie Meyer graduated from Brigham Young University with a degree in English Literature, and she lives with her husband and three young sons in Arizona. Stephenie is the author of Twilight, New Moon, Eclipse, and Breaking Dawn. About the TV series Lost: Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. About the TV series Heroes: Arguably the most talked-about television show of the 2006-2007 season, the Emmy-nominated fantasy Heroes gives viewers blends comic book-style adventure with plotting and characters as rich and layered as any graphic novel or drama series. Creator Tim Kring's premise is deceptively simple – ordinary individuals in locations around the globe discover that they have, for lack of a better term, super powers, and wrestle with this reality while facing challenges both global (the destruction of New York City, for one) and personal (indestructible cheerleader Hayden Panetierre has family issues – serious ones, as the true identity of her adoptive father reveals; Milo Ventimiglia's Peter Petrelli, who absorbs other powers, must overcome his own insecurities). Add to this mix a terrific villain – Zachary Quinto's Sylar, who hunts and kills people with extraordinary powers like our heroes – and viewers have a riveting series that exhibits an almost-perfect balance of cliffhanger thrills (the action and special effects are truly impressive for a network program) and genuine drama that sets the show apart from most speculative fiction (save, perhaps, the revived Battlestar Galactica, which it compares too favorably). The seven-disc set of Heroes: Season One offers a wealth of extras for fans, who may be familiar with some of them through the NBC.com website, especially the cast commentaries, which are featured on half of the episodes. Kring is featured on the 73-minute uncut pilot episode, which for some viewers, may be even better than the network version; the main difference is the degree of character development, including an entire storyline for D.L. Hawkins that isn't featured in the broadcast version. Also on deck are some 50 deleted scenes from the episodes, several by-the-books making-of featurettes, including coverage of the special effects and stunt work, and a profile of artist Tim Sale, whose illustrations are used for Isaac Mendez's prophetic artwork. Prospective buyers should note that while all of these supplemental features are included on the HD-DVD version of this set, the special Web-connectivity elements are not available here. Explaining Skateboard Explained: Review 5 Stars from Skateboard.About.com Skateboarding Explained is a walkthrough DVD for beginner or intermediate skateboarders to learn the basics of skating, and all the tricks you need to know to be a truly intermediate, competent skater. There are several how-to-skateboard DVDs out there, but Skateboarding Explained is honestly the best one I've seen. This video takes the time to really teach the basics of skating (basics that anyone of any level could really use), and the style is such that any skater of any age (even adults!) should feel comfortable with it. You can watch the whole series of instructions in order, or go straight to the section or trick that you want to learn about. The DVD was directed and designed by Dan MacFarlane, a pro skater and the top skateboarding instructor at Camp Woodward s Lake Owen resort. Dan has a comfortable, easy going style in his instructions and masterfully performs all the tricks himself. His methods have been tried, and he knows they work. (Bonus fact - Dan instructed Shaun White at an Encinitas YMCA summer camp back when Shaun was 8 years old!) Dan MacFarlane knows how to teach, and what needs to be taught. The background music, video editing, style and feel of Skateboarding Explained are top-notch. The music is energetic, but doesn't get in the way. Each trick features high quality slow motion parts that blend perfectly with the instructions, walking you through every aspect of what you are learning. This DVD is pure skateboarding, step by step, piece by piece. If you are looking for an instructional skateboarding DVD, I highly recommend you pick up a copy of Skateboarding Explained. Steve Cave, Skateboard.About.com --www.skateboard.about.com Review This instructional DVD has been put together by Lake Owen Instructor and Mentality Pro Dan MacFarlane. The DVD does an exceptionally good job at taking skaters from the basics right up to the advance tricks. It s well presented and definitely recommended for beginners and those who want to brush up on their tricks or learn new ones. Concrete Wave Magazine --Concrete Wave Magazine Review This video arrived and at first glance you might think it's some Tony Hawk video where everyone is munching pizza bites and watching dudes ollie, turn, and backside tailslide that vert pocket with some helpful hints you'll never get. This video is exactly opposite and really makes you think about how to do tricks, even if you don't get much farther from the coping bash at the local park. If you ever had a trick that frustrated you, this should shed some light on it. It even helped me land some 360 flips which had been m.i.a. since 1992. It's worth getting and definitely worth making your child watch repeatedly instead of Sponge Bob. - Broken Magazine --Broken Magazine Product Description Transworld Skateboarding is proud to present our twentieth skate film, And Now. Produced in eight short months, and filmed in places as diverse as Australia, China, Spain, South America, and of course, throughout the states, And Now features the talents of 6 rising stars. David Gravette, Nick Trapasso, Matt Miller, Sean Malto, Ritchie Jackson, and Kenny Hoyle display a dizzying array of skateboarding talent. Produced, edited, and directed by Jon Holland and Chris Ray.


Chapter One | Waking Up

The Crown Victoria

A shot came from behind. Parks heard it, which meant the bullet missed its intended target. His wheels sparked along the asphalt on Page Street as his skateboard picked up downhill speed. He’d already seen the car several times that night, but now it was chasing him—fast.

Parks first noticed the car only because it was a Crown Vic, and assumed it was police. Everyone on the street knew if a Ford Crown Victoria wasn’t a taxi, it usually meant cops—marked or unmarked. If you street skate, avoiding cops is just basic instinct—especially when you’re sixteen and a runaway. So for Parks, even at first glance this car was totally worth avoiding.

As it turned out, it wasn’t police inside the car—not the uniformed kind anyway. Minutes earlier, when Parks passed the black Crown Vic at the corner of Cole and Haight Streets, he caught a glimpse of the man and woman inside. They weren’t in uniform, no inspector suits; they were dressed in people clothes—but still, they had that cop look. The man, who was doing the driving, locked eyes with Parks. And at that moment, Parks knew that whoever they were, they were looking for him. This split-second realization of self-survival gave Parks a precious few minutes for the head start he needed. Quickly, he turned off Haight before the car could turn around in pursuit—zigzagging his way out of the business area. He hoped his dark gray hoodie and black hair would help keep him lost under the weaker neighborhood lighting.

In trying to figure out a spot to hide, he ended up here—on Page—one block above the lower Haight. It was a stupid mistake. Page Street was dead. There were no witnesses and no one to help him. Another shot exploded from behind and this time he was sure he felt wind from the passing bullet.

The Crown Vic was right behind him. Parked cars, blocking the curb on both sides, had Parks trapped in the middle of the street; he had no access to the sidewalk. Without that access, any chance of escape—getting to a safe place—just wasn‘t there. Parks braced himself for the next gunshot; the shot didn’t come. As the car pulled in closer—rapidly eliminating the distance between them—he knew what was about to happen.

Inside the car, the pursuers braced themselves for the impact from the collision. The passenger had her feet planted on the floorboard; her arms remained loose but supported against the dash. The driver gripped his fingers tightly around the ring of the steering wheel, hoping to keep the car headed straight as it hit the body. His foot pressed the accelerator flat to the floorboard.

As the front of the car made contact with his body, Parks felt himself slip from his board. The car pulled his feet under—he blacked out for the briefest moment of time—then stumbled from his board as he came to. The black Crown Vic was across the intersection—half a block away. Screams—from tires trying to grab a piece of the asphalt—penetrated the neighborhood.

Parks had felt the car pass through his body.

The Agents

Because the anticipated impact of the collision with Parks didn’t occur, it put Agent Lehr in the situation of over-controlling his cruiser as it sped full-throttle—across the intersection. The combination of over-compensated steering, speed, and surprise, all contributed to the collision of the black Crown Vic into an illegally parked hybrid.

Just two hours earlier, the ill-fated owner of the hybrid—tired of hunting for a space—had given up and left his car blocking the bus zone. The two-hundred and fifty dollar ticket tucked under the wipers would now seem less significant for the scofflaw owner when he saw the damage from the crash.

The cost of repairs—over a grand—was something the owner of the hybrid would be paying, not the government. Exposing their identity here, in an official capacity, wasn’t anything the agents were prepared to let happen—especially not doing what they were doing. Lehr backed the cruiser away from the dented hybrid, fleeing the scene of the accident and heading for their San Francisco office.

“You don’t want to finish this?” Freelyn asked. “I just saw him take off, so he can’t be very far yet.”

Actually, Lehr would’ve preferred to finish the job that night. As the senior of the two agents, he’d have to report the failure to their commander—and take most of the heat from her. But he knew that someone in the neighborhood, hearing the accident, would likely call the city police. Security was too tight an issue for the department to allow police involvement and risk public exposure.

“He’ll be watching for us now—so will SFPD,” Lehr said. “If we leave him for a bit, he’ll think it was some lunatic or drug-related—a mistaken identity.”

“What if he ends up going to the police?”

“Same thing applies—they’ll figure drugs, won’t they? But, I don’t think a runaway will risk going to the police.”

“So we wait to get another chance,” said Freelyn. “You think he’ll try to figure out what happened—how he pulled that escape off?”

“It’s hard to imagine what he would think. On the other hand, he may not need to figure it out; he could know more than we think he knows.”

Freelyn considered this possibility for a moment before rejecting it. “If he knew how to do it, he’d have pulled that stunt sooner—instead of leading us in that chase through the streets.”

“Yes—,” Lehr’s tone turned slightly sarcastic, “but don’t you think it’s possible he could suspect—maybe even know—some things, without having the conscious ability to act on them yet?”

“Well, maybe—assuming he hasn’t been contacted,” said Freelyn.

“That’s exactly right partner; if the terrorists haven’t been in contact with him. Otherwise, everything changes.”

Refuge at the Slot

Shaken from his encounter with the Crown Vic, Parks took his time. Weaving his skateboard through the streets in the lower Haight, he headed toward Market Street. Rather than blow through the intersections—the way any street skater would normally do—he slow-rolled each one, checking for the Crown Vic. Other than a couple of cabs, the streets were quiet. It seemed they had given up the chase; he was safe. He crossed Market, and headed for the Slot.

“The Slot” was the nickname given by its transient tenants to a shabby little residence hotel, not too far from Mission Dolores and Dolores Park. The real name, posted on the brick wall outside, was Manor of the Mission—nobody had called it the Manor since 1980. The Slot was a building inhabited by people who struggled from week to week to pay for their room. Most of the people living there were either very old or very young. Tenants were supposed to be eighteen to rent a room, but management at the Slot wasn’t too fussy about the age rule as long as the rent was at the front desk first thing on Tuesday morning.

Parks climbed the creaky wood stairs to the floor he’d been occupying for two weeks now. It was his second month living here, and already his third room. The hotel manager moved him to a new room every three weeks.

“It’s to avoid rent control issues,” Steve—the pint bottle of Gateway brand vodka drinker—told him when it happened the first time. “If you stay for a full month, it’s harder for them to kick you out legally,” he explained.

Parks didn’t always trust Steve’s explanations, as he was prone to some really weird stories by the time the afternoon rolled around. In this particular case, it made some sense. It didn’t matter for Parks; moving between rooms wasn’t much of an issue. Since his first foster home, he’d never owned more than a few things he could stuff into a bag and carry on his skateboard. From eight years old, he knew he was only waiting for the chance to get away on his own—it took him another eight to make it happen.

On his last room switch, Parks winded up on the third floor—the same floor as Geli. She was a cute girl, with wavy darkish-blond hair and eyes a color Parks had never seen before—they were almost golden. He’d noticed Geli many times around the Slot, had a serious desire to introduce himself from the very first time he saw her, but could never find a comfortable chance to meet her.

When they did finally meet, it was Geli who made the introduction. She was walking past the open door to Parks’ newest room—which he left open because the rooms at the Slot smelled of a hundred years of cigarette smoke—and she just stopped at the doorway to introduce herself and say hi.

It amazed Parks that anyone had enough self-confidence to just go up and introduce themselves to a stranger, without any sort of pretense or manufactured excuse—even an “eighteen in two months” year old like Geli (she was already practically as bossy as an adult).

It was ten days ago they met, but one particular first impression he had of her hadn‘t changed since then; Parks realized right away that her aggressive nature was a way of life for Geli. She didn’t subtly hint at her opinions, issues, or problems; and she didn’t ask her embarrassing questions coyly. She unapologetically forced her tiny body inches into his personal space, focused her eyes directly into his, and said whatever she had on her mind. Although their friendship was only a friendship—and a short one at that—Parks felt as if he’d already willingly exposed every inch of his mind and body to her relentless questions and open scrutiny.

So, after having outrun a car trying to kill him for no reason that he knew of, it wasn’t to his own shabby room that Parks was now heading, it was two doors down—to Geli’s.

A Crazy Connection

Geli’s room, a good reflection of her personality, was orderly but not obsessively neat. Despite the transient nature of living at the Slot, she made it seem as close to home as she could. She’d hung two framed pictures on the wall, scattered the odd stuff she owned around the room, and had even unpacked her clothes to the limited shelves and drawers provided by the meager furniture in the room. She kept the five hardback books she owned displayed upright on the well-worn top of the dresser. Next to her own books, she normally had at least four library books on display as well—sometimes more. Her bedding, always hospital corners in the morning, was bunched and falling halfway off by late afternoon because that’s where she did most of her reading.

In addition to her personalized touches, some obvious things made Geli’s room different from Parks’. There weren’t any crumpled fast food bags on the floor, no dirty and semi-dirty clothes piled on a chair, and carelessly wadded bills and coin mounds were absent from her nightstand. It was a clear difference between Parks and Geli; she liked the feeling of home, he didn’t know what that was.

And there were things that made Geli different from other girls Parks had known. Geli had no body marks: tattoos, piercings—not even her ears. She never wore anything with writing on it—no logos, no concert or band t-shirts. She’d said it was her personal fashion statement not to make one. But she made plenty of other statements—oh God, yes. Geli had an opinion about everything and enough knowledge to back those opinions up. Like everything else about her, Parks found Geli’s intelligence attractive to be around—although it sometimes made him nervous.

Parks tried to predict Geli’s reaction now. Would she think his story about the Crown Vic was crazy—or that he was lying? Would she believe him, but try to talk him into going to the police for help?

He might’ve just kept quiet about the whole thing—he didn’t say anything for the first fifteen minutes—but eventually Geli figured him for something. Once she started in with her routine of relentless questioning, Parks began spitting it out—in as much detail as he could remember.

He told her about first noticing that the car seemed to be everywhere he went. “It couldn’t be coincidence,” he said. “Not that many times.” He told her everything, up to the final point where the car tried to run him down. What he left out—there was just no way to explain this—was how he survived because the car drove through him. He didn’t know how it happened, and he wasn’t even sure what happened. He knew for certain what didn’t happen, but telling her that, sounded far more believable.

“I jumped into the only opening—between two parked cars.” he lied. “I landed and took off down the sidewalk before the Crown Vic could turn around.”

Geli just sat there, unnaturally quiet. Parks could see she was processing the information. But there seemed to be something more on her mind—as if she was weighing the story against something that she already knew. This puzzled Parks for a couple reasons. For one thing, the story was outrageous—a person would expect at least a little surprise or tension from anyone hearing it. The other thing, if there was some sort of knowledge or whatever she had about what happened—a reason someone tried to kill him, or who it was—he wondered why she had to think about telling him.

“Okay, here’s the thing,” Geli finally broke her silence. “I know this old lady—I met her about a month ago—I think you might need to meet her too.”

Parks covered his eyes with his hands and dramatically rocked his head back and forth—as if hitting his head against an invisible wall. “Maybe I’m confused,” he said. He paused a few seconds before continuing. “What could this old lady possibly know about someone in a car trying to kill me?”

His reaction miffed Geli a little. “I don’t know if she knows anything specific—about this car, or the people in it—but I think she might know something that could help.”

Parks made a lame attempt to pull more information from her, but she was clearly resolute in her decision to hold out giving him anything more. She wanted to talk to the old lady first. Parks gave up.

It was late—too late for anything right now. It was decided—by Geli—that she would first go alone in the morning to visit the old lady. If Geli had it right, that some sort of connection existed, she would come back to the hotel for Parks. Then, together they’d go meet with the old lady.

This time, Parks didn’t even bother to ask why he couldn’t just come along in the first place; Geli had laid out the plan in a way that clearly left no other options open for discussion. So basically, by not offering any objection, he’d agreed.

It was late. Both kids, who’d been fighting their eyes for a while, decided they needed to get some sleep. Not wanting to be alone, Parks stayed in Geli‘s room. They fell asleep, cuddled together on top of the bed.

Waiting

At the San Francisco office for the Department of Internal Security, the DIS commander battled with her agitation. Poppers, as everyone—except the Attorney General—called her, had been surprised at the previous night’s failure by her two agents. Completely unaware of his situation, the target should‘ve been handled without issue. There was no reason for the difficulty; he was just a kid.

Poppers disliked the idea—killing an innocent kid. But he wouldn’t stay innocent for long, not once the terrorists recruited him. They didn’t care that he’s just a kid; she couldn’t afford to care either. The stakes were too high. Stabbing at her keyboard, Poppers brought the Parks profile on screen for the ninth time that day.

Parks had no close relatives known to be living. He was without standard associations or friendships. In fact, the report showed a middle-aged drunk from that fleabag residence hotel as the only person in San Francisco with whom he’d established any kind of personal connection. She’d profiled the drunk—as a precaution—but this was no clever cover; he was simply a bottle tipper from morning until he passed out however many hours later.

Poppers understood drunks, her father had been one—few people outside her family ever knew. He’d managed to keep it hidden for as long as she could remember. It certainly never affected his career. Sam Paulsen joined the army as a raw GI and after one war, one conflict and one police action ended as a retired colonel. Her dad had seen a lot, Poppers knew that. She never questioned his addiction once she was old enough to understand. Soldiers see terrible things in war—sometimes it’s necessary for them to do terrible things too. She paged down to the middle of her notes in the target’s profile.

Three foster homes in nine years. When Poppers showed up looking for the kid at the last one, the foster parents were obviously shook up. Having failed to report Parks as missing, they probably assumed Poppers’ appearance was an end to the state maintenance checks—criminal fraud charges were a threat as well.

She clicked a link to the interview audio files in the report—then to the only useful clip she’d recorded with the foster parents. Throughout the interview, they’d lied about most of the details, including the actual date of Parks’ disappearance—by two weeks. But they’d given Poppers something in this particular clip.

“You must have some idea where he’d go,” Poppers said.

“Not really.” Rob Russell’s voice was nasally and had an annoying whine to it. “Parks didn’t talk much—not really.”

“Well, he did mention New York sometimes.” This voice on the recording belongs to Doris, the other half of the foster parent team who—except for some time he spent in juvenile hall—Parks had lived with since he was ten years old.

“That’d be terrible,” Rob says. “I hate to think what would happen to him in New York. You know, he had a hard enough time staying out of trouble here.”

Poppers doubted his concern, but said nothing. At the time, she only wanted to finish the interview and get out. How these two had become and remained foster parents was impossible to understand.

“What about San Francisco?” Doris suggests. “He talked about San Francisco sometimes.”

“Oh? How serious do you think he was?” Poppers asks.

“I would guess, about as serious as anything else he talked about doing with his life.” Rob didn’t attempt to disguise his ill will toward Parks. Poppers had no trouble seeing that now—however they may have started—Rob held few, if any, positive feelings for Parks.

The foster dad’s voice seemed to have gotten more annoying in the time since Poppers last played the recording—and no more informative. The remainder of the recording went on for about ten minutes. Poppers painfully listened through it, hoping for some missed insight into the boy—something she hoped to use tonight—but there was nothing.

At the time of the interview, her ability to narrow the search down to New York and San Francisco did benefit Poppers. Troubled kids usually head for urban centers, and it helped to know which two cities might attract Parks. Even though the information—coming from two people who seemed to know little about the boy who’d lived under their care for six years—was often suspect, it paid off in the end.

The New York files were next in the Parks report, but Poppers just tabbed past them. Despite some promising police reports from the NYPD—petty department store scams, matching Parks’ juvenile record—her team eventually ruled out New York. Wherever he’d been living for the first four months as a runaway, by June, Parks was living in San Francisco. Greg Riley’s police citation exposed that. Poppers broke attention from her computer screen to glance at the large clock on her office wall.

At that moment, alone in Geli‘s room and drenched in sweat, Parks stirred from a rough sleep. The dream—from what he could remember—mostly had him running from marked and unmarked police cars. The monster-like cars tried to run him over on streets, sidewalks and even inside the Slot. The dream felt familiar to Parks—a recurrent nightmare from his past. Yet he couldn’t actually remember having had it before.

Suddenly it occurred to him, looking out the window he realized that he’d slept through the entire day. Geli had left before ten in the morning—which seemed like only an hour ago—now, outside it was getting dark. The streetlights—their sensors no longer detecting sufficient light—were flickering to come on.

Once, when Parks was twelve, Rob showed him a trick with streetlights. It was when Rob tried to give up booze. Taking walks to fight the urge, he’d sometimes bring Parks along. On one of those walks, Rob pulled a boxy piece of plastic from his pocket and showed it to Parks. He said it was the flash attachment to an old camera. It took a few minutes to charge up after he turned it on; then he aimed it toward the top of a streetlight. The flash made a loud popping sound and a bright light—nothing like a weak digital camera flash—splashed against the streetlight, directly from the front, and indirectly as it bounced off the building from behind. For just a second, the bright blue flash lit the sky like lightening, then the streetlight went dark—it was cool. But the walks stopped; Rob found the bottle again.

Despite the apparent fact that Parks had slept nearly eighteen hours, he didn’t feel ready to get out of bed yet. He turned his back to the window and slipped into a sort of waking dream. This one he knew well—it wasn’t just a dream, it was a memory.

The store is empty when the owner of the market—a creepy man, with several brown pea-sized growths on his red face and neck—stops Parks at the door. He gropes the smokes from Parks’ pants pocket and decides to administer on-the-spot punishment for the attempted crime. Holding the boy’s hand flat on the register counter, he rests the cherry of his own burning cigarette against the inside of Parks’ wrist, it creates a quarter-sized welt.

Half-awake, Parks’ left thumb casually covered and uncovered the marks on his right wrist. The charred welt from five years ago had healed to an unusual scar. It resembled the world-famous silhouette of a beloved rodent and theme park ambassador. Though Parks now rather liked the funny little scar, he also enjoyed knowing that worms and maggots had long since made a feast of the storeowner’s decayed body. It was one year after the cigarette incident, that someone shot the puffy pink man in front of his house—DOA. Parks wasn’t involved in the killing; just the same, he appreciated it. He even imagined watching it happen from time to time. He’d been to the house after the fact; he’d read the gory details in the news; it wasn’t hard for him to pretend he saw the shooting go down.

Parks wasn’t sleeping anymore; he was just laying there—thinking.

Poppers had four minutes until her enforcement team would arrive. She hoped this was the last briefing she’d ever need to schedule on the Parks matter. It didn’t look good politically for cases to remain open this long.

She turned to the traffic stop notes on her screen. The skateboarder, stopped for riding on a city street, didn’t have picture ID. He gave a name and address, which the officer used along with a physical description to confirm the kid’s identity over the radio. It could’ve been some kid named Greg Riley—but one detail said it was Parks.

Parks was also thinking about Greg Riley. Greg’s parents would demand an explanation when the Failure to Appear in Court letter showed up in their mailbox. Poor Greg wouldn‘t know why he got the ticket, so he‘d have nothing to tell them. He probably didn’t even own a skateboard.

Greg Riley—the real Greg Riley—might remember that day he was filling out his license paperwork in the Department of Motor Vehicles. At the time, he may even have noticed the other tall teenager standing next to him. But it’s doubtful he ever had a clue what was happening. Greg looked something like Parks—a lot, actually—but with a vacant stare. The obvious similarities between them—hair, eyes, height, weight, and even birthdays less then four months apart—were a good physical match; mental didn’t matter.

Parks duplicated the personal details from Greg’s registration paperwork onto his own. Misusing the handy form provided by the Department of Motor Vehicles, Parks simply filled in the blanks; copied item for item, from the information Greg filled onto his. Unlike Greg, who joined the long DMV application line after completing his form, Parks stuffed his copy in a pocket and walked out with a second identity. From experience, he knew that in a police situation, he could use a name, birthday, address, mother’s maiden name—all that crap—to appease a cop without showing ID. It wasn’t hard to fool cops. A guy just had to be prepared. At the time, Parks had no idea how soon his advance planning was to come into play.

The black and white had been following him with flashing reds for a block and a half before Parks bothered to pull over. Parks knew it was back there, but always got a kick out of playing with the cops a little—just a little—before stopping and pretending to be surprised. With the wrong cop, this sort of thing sometimes got him into trouble. He didn’t care; it was fun. On the second order to stop that blasted through the police PA system, Parks could hear in the cop’s voice that a third one might get rough—so he turned around and feigned surprise.

It took about three minutes for the radio dispatcher to confirm Greg Riley‘s identity: a seventeen-year-old white male juvenile, six foot one inch tall, a hundred fifty pounds, with brown hair and green eyes, living at 1351 Fell Street. Almost perfectly matching the over-the-air description the traffic cop gave; one exception was the hair. The difference being that Parks had dyed black hair. This wasn’t a criminal investigation; the match was enough for a skateboard ticket.

For Parks, at the time, things seemed to work out just fine. He had no concern about the cop’s over-the air description of his scar, because he had no idea that anyone was looking for him—certainly Rob and Doris wouldn’t be bothering. Parks forged Greg’s signature to the ticket, agreed with the officer to have a nice day, and waited for the police cruiser to turn out of sight at the corner. Then he jumped back on his board to finish his street ride.

But the file on Poppers’ computer told a different story. The traffic stop was routine; it could easily have gone unnoticed by the DIS agents who monitored police broadcasts. Instead, something got their attention. The officer included an unusual physical feature in his radio description of the faux Greg Riley—a cartoon-like scar on the kid’s wrist. The scar wouldn’t show up in a DMV record, and Greg Riley had no juvenile court files—but Parks did. The one-of-a-kind scar was more than casual information for the Department of Internal Security; it was proof that their target was living in San Francisco under an assumed name—a name the DIS now knew.

It was a big break for Poppers and her crew. Finding the kid in less populated San Francisco was already much easier than it would’ve been in New York. By having a name, they tracked him to a residence hotel in the Mission district in less than a week.

Two weeks of surveillance brought them to last night‘s embarrassing event; the poorly executed enforcement action that could have seriously complicated things for the secret organization. It was crucial that no one outside a small government circle knew about the Dissimulant threat that existed, or the department charged with eliminating that threat—the President hadn’t wanted the information to go public. Luckily, throughout the screw-up, the DIS had remained in the shadows; they still had a chance to get the job done quietly. Poppers closed the window on her screen.

Parks rolled over to check the wind-up clock on the nightstand; it showed a quarter ‘til eight. The oversized clock belonged to Geli, who, when Parks first commented on it, said she preferred the older wind-up things to the newer current ones and then burst into a long spasm of laughter. It took Parks a couple minutes to get that the word “current” was a stupid electricity pun; this sent her into another—only slightly shorter—fit of laughter. Geli could be corny. The clock was just a part of her collection of dead-school junk—old things, with no possible use in the modern world.

Not that books were dead school—not completely anyhow—but she had a lot of them around. Many of them were library books. Parks never knew anybody who went to the library as much as Geli did. He hadn’t been to one—outside of a school—in five years.

She had one of those cigar boxes, made of darkened wood—Spanish cedar—with a small brass latch to keep it closed. Inside the box, she kept a porcelain thimble, a candlesnuffer, some foreign money and an old TV remote. The remote had only five buttons, pressing any one of them gave the same loud clicking sound—like a snapping bottle top. There was something Geli called an egg topper. Apparently, if you needed to cut the top of the shell off soft-boiled eggs, that‘s what you‘d use. (Parks seriously doubted that Geli ate very many soft-boiled eggs.)

In other places around the room, were a number of similarly old and mostly useless things she’d collected; including the dial—just the dial—from an old telephone. The kind of dial you’d spin with your finger to make a call, if the dial attached to a phone—this one attached to nothing.

When Parks once asked why she collected all these things, Geli didn’t give much of an answer. She brushed him off—saying that they brought back old memories. Park’s figured they’d have to be very old memories, since most of the stuff was from at least thirty years before she was born!

Target: Parks

Poppers thought about the time already wasted on just the one target. If the estimated number of threats were anywhere near accurate, there were at least half a million Dissimulants—in the US alone. Once the terrorists recruited enough of them, the nature of the Dissimulant problem would change. In a war, her department would need to be much larger. She had to make sure her political image had the executive qualities necessary to run a big department—she had to whip her team into shape.

Poppers opened a new window, bringing a file labeled “DIS-EA200” on her screen. Then she turned to acknowledge agents Lehr and Freelyn, who had been hovering outside her office door for the last few minutes. She motioned through her office window for them to enter. The partners came in and took the seats offered by their commander’s gesture. No one spoke for thirty seconds.

“This,” Poppers snarled at last, “is now a total mess.” The two agents locked focus on her face and nodded in agreement. “I don’t like stupid mistakes or the situation stupid mistakes put us in.” The two-person team gave no verbal response, just continued to nod their heads as she continued the scolding.

“Good agents make the decision when to expose their intent. Once they do, they’re supposed to finish the job—that‘s their training. Experienced agents like you don‘t start actions if even a small possibility of an abort exists.”

“We know—” Lehr started to explain.

Poppers signaled her disapproval of his interruption by raising her eyebrows and pressing her index finger to her lips. She continued, “Now we have to act in a big and potentially risky way. We’re out of time!”

She gave a pause, to let the previous statement sink in. “We have to complete the job—your job—and get it done tonight.” Poppers was doing everything in the book of management to make her expectations clear.

To some degree, Lehr had expected this balling out. Freelyn was more surprised. She’d expected a reprimand but nothing to this level of intensity. Her boss’s face had made it to purple before she seemed calm enough to continue.

“From the report the two of you filed last night, I gather you believe he still has no real reason to suspect himself as the actual target; that he’ll think this was an identity mix-up.”

“That’s right,” said Lehr.

“Fair enough. Based on what I read in the report, I agree.”

Two other agents, Sterling and Atkins appeared at the office door. Poppers signaled them into the room, continuing with what she was saying to Lehr and Freelyn. “Up until now, he’d have no reason to suspect anything else. This would all change if we fail tonight. After that, it’s certain he’ll know he’s a target.”

The two men entered, nodding to their colleagues as they took seats in the chairs that rested against the office window.

“Our last chance before it becomes difficult—truly difficult—is tonight.” Poppers was calmer now. “If they’re watching him, he’ll become a prime recruit for the terrorists. Once they know he‘s marked he’ll have nothing to lose; convincing him to join them becomes easy.”

Poppers clicked her mouse. The huge screen on her office wall displayed a satellite photo of the Slot, at a zoom level that included details of the surrounding streets within three blocks. Atkins, Sterling, Lehr and Freelyn turned their attention to the screen, as Poppers activated the speaker on her desk—bringing Carey and Adams into the briefing by phone.

Agents Adams and Carey were already at the target location, recently arriving in advance of the night’s enforcement action. They joined the conference through a secured wireless line via BT Specials—high range blue-tooth devices—connected to the cruiser’s built-in communications system. The BTS’s were comprised of a tiny earpiece—small enough to be worn and remain undetected from as close as two feet—and a separate input device, one function of which was to act as a microphone. The input device most often clipped to the shirt collar or inside a jacket, behind the lapel.

The car’s communication system included a dashboard which dual-purposed as a computer display—in this case, synced with the image from Poppers’ computer. The two men kept an occasional eye on the screen, but their focus was on the front door of the Slot and the street front window of the target’s floor in the hotel. The log showed that Parks was in the building, although not detected in his room since the agents arrived.

Bored of playing with his scar and with looking around Geli’s room at her various oddities, Parks decided to get out of bed for a quick shower. Geli would soon be back from her visit with the old lady. Parks was anxious to grab some dinner with her and find out what—if anything—the old lady had to say about his situation with the Crown Vic. He slipped his jeans on.

Poppers confirmed that the computer‘s remote display was up. “One Papa-one, do you have the visual?”

“Papa-one, Romeo.” The confirmation—Carey’s voice—came through the speaker.

“Alright teams,” Poppers began, “here will be our set-up for tonight.” She guided the mouse, moving the on-screen pointer to each of three marked locations—black rectangles—on the satellite map. The rectangles represented the opening positions for the partnered agents and their cars.

“On the street in front of the location: a vehicle at each end of the block—here, and here. The third car starts on the street behind the hotel—dental offices, with access to the rear of the hotel.”

The display changed to a drawing—a simple interior plan of the hotel’s third floor. Doors for the rooms connected along a common hallway. The main staircase was in the middle. Next to the bathroom at one end of the hall, was the internal fire stairwell. At the other end, a large window with folding fire stairs that dropped to the street. All of the little blue-line boxes, representing the hotel rooms, were exactly the same shape and size—one was shaded in pink.

From the hall, Parks made a stop at his own room to grab a towel, shower gel, and some cleaner clothes. He pulled his towel from its drying spot on the back of his room’s only chair. Rescuing a near-empty shower gel bottle from the trash can—he meant to buy a new one—to shake out what he could for one last use. He still had new underwear from the pack he liberated from an understaffed, overpriced department store—that was good—but he had to select the best of his jeans, hoodies, and socks by sniff test.

Although different from how he’d left it yesterday, in his hurry Parks didn’t catch the subtle changes to his room. Even on a normal day, they might’ve gone unnoticed: slightly repositioned bed, replaced table lamp, minor shift in the power outlet cover—none obvious. He shut the door and headed down to end of the hall, to the bathroom for the third floor tenants.

Through the speakerphone, Agent Carey announced Parks’ movements in his room, confirming that the newly planted motion detector was functioning properly. Poppers reminded her crew that the device would be critical to confirm that Parks was in his room at the start of the scheduled enforcement action. Then joked, “We don’t want to move in to his room if he’s out in the toilet taking care of business; then have him walk up behind and catch us waiting around with our weapons in our hands.” Poppers threw a smirk at the members of the team in the office.

Most of the details were standard, dry and boring, but the agents kept focus as Poppers continued. Poppers, Lehr and Freelyn would comprise the enforcement crew—the others, street support for the enforcement. At 2100 hours, with the target confirmed in his room, Poppers would give the command to execute. The three member EC would leave vehicle one to enter the building and head for the target’s room. Minimum exposure inside was key; at no time during the action would they announce their identity.

As usual in these cases, Poppers was choosing her words carefully, voicing what she needed to say, and leaving certain details to the common understanding of the mission. Specifically, she avoided legally compromising terms regarding the nature of the final action.

“Once in the target’s room—if it’s determined he’s a physical or flight threat—the authority to kill is granted.” Understood but unspoken in the statement, was that even if he was asleep, the members of the EC would consider the suspect a threat—killing Parks was the purpose of the enforcement.

“Weapons, remnants of drugs and drug trafficking paraphernalia will be left at the scene of the shooting as an aid to local authorities in their investigation of the incident.”

These were items of evidence, which the EC would plant at the scene. As far as local police were aware, there was no such authority as the Department of Internal Security—so, it didn’t exist; it couldn‘t be questioned. The police inspectors who showed up to investigate would need to discover their own plausible reason for the hotel shooting. The drugs left behind would serve this purpose.

“Our crew will not remain at the scene, or be a part of subsequent police investigations into the matter.” There was nothing new in what Poppers was saying; the DIS always left it for the local police to sort out the details.

The rest of the plan—also routine for the DIS—had the Sterling and Atkins car pulling around from their position behind the hotel. They would pick the EC up and bring them away from the scene. Adams and Carey would split up, one would drive their vehicle, and the other would remove the original Lehr and Freelyn car—cleaning the scene.

“To enter, execute and exit will take five minutes,” Poppers said as she killed the wall display. “One Papa-one, did you copy all that?”

Poppers waited for a voice from the speakerphone to confirm. When neither Carey nor Adams responded, she repeated the question. “One Papa-one, did you copy?”

If things had gone as hoped by Geli, Parks would have never had the time to complete a shower. She’d have been back to the room already—rushing him out the door.

As Geli came within a half block of the Slot, she made a decision not to continue on her way into the hotel—to her room and the friend waiting inside. She continued instead down the sidewalk across from the Slot, heading toward the next corner.

Poppers’ office was dead silent as everyone in the room waited for some sort of response from their colleagues in the field. The terrorists had successfully identified and recently killed a number of agents as they sat on stakeouts similar to this one. While no one in the room wanted to think about it—it was all they could think about in the silence.

Geli’s redirected path brought her alongside the open window of the very thing that had forced her to change her direction and plan. It was a black Crown Vic, parked, and occupied in the front seat by two men dressed in suits. She could sense the men—aware of her—as she passed. But their focus remained on the front entrance of the Slot. This was the one place on the street, which Geli made certain her eyes avoided.

“Papa-one, Romeo.” Carey finally announced.

“One Papa-one, what was the delay?”

“We had a stranger—WFJ—walking past our ten-twenty.”

“What’s your condition now Papa-one?”

“We’re clear. She went on—turned at the end of the street.”

“Romeo, Papa-one. We’ll be on location at twenty-one hundred hours. This is Echo-one out.” Poppers released the speakerphone with a quick jab to her mouse, and then returned her attention to the agents in her office.

“Just under an hour to gear up and get out there.” She rose from her desk and started for the door. The four agents followed her out and down the hall, headed for the tactical weapons room.

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2 Responses to “Chapter One | Waking Up”

  1. Jackie Says:

    This was a really good chapter and can’t wait for your next update. Despite already knowing what’s going to happen by previous episodes I think that you’ll find a way to make those episodes into an even more amazing chapter. The small details added give more visualization and certainly give more to the story. Though having lived in SF I sort of already know what it looks like… Anywho I’ve been following this story since August last year and once I started reading I was hooked. And now I’m very excited about the publishing! Keep up the good work!

  2. mhduncan Says:

    Thanks for the kind thoughts Jackie. There’s a lot of information I need to weave into the chapters, so you will notice more of this as we get deeper into the story. -mhd-

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