This novel is about Parks, a teenager who rides skateboards, plays video games and drinks soda.

Up until now, he's managed to watch a few action-adventure movies, visit a few amusement parks and survive as a kid on his own. Unlike the average teen, he's avoided promoting himself in places like myspace, facebook and other online communites. He's not an anti-social youth, he's just a kid on the run.

Basically, Parks is a teenager. Restless around others except his friend Geli. He likes to see movies about heroes and warriors but he doesn't really want to be one himself.

The story is also about Geli, who turns eighteen years old in a few months. She's a smart kid, who likes to read books, study for school and plans to change the world.

She's a teenage girl faced with the realities of becoming an adult. In a few months, she'll be starting that adult life as a college student.

The real story is how these two teenagers became friends and became involved in an adventure to save their world.

Two young people, who meet in San Francisco and discover that they have a common destiny. They have special abilities, not unlike their favorite heroes in books or movies.

Together they learn how to use these almost magical abilites, to save their lives and save the world.

The adventure of this story begins one night, when Parks is riding his skateboard, using bike lanes to move around the San Francisco streets. He notices that he is being followed. When he tries to avoid the car, the chase becomes more serious as it looks like it wants to run him down.

As the adventure story progresses, the two teenagers become involved in their own real-life video game, action film and fantasy novel. But in this case the adventure is real, the magic is real and the bad guys are very real.

Skateboards, video games, super heroes and characters in a novel; are all put away as the the two teens begin a real stuggle for survival in a changing world.

Afterall, being a kid in an adult world was never easy. Maybe with a few supernatual talents, the playing field can be leveled.

About Harry Potter: Amazon.com Review Say you've spent the first 10 years of your life sleeping under the stairs of a family who loathes you. Then, in an absurd, magical twist of fate you find yourself surrounded by wizards, a caged snowy owl, a phoenix-feather wand, and jellybeans that come in every flavor, including strawberry, curry, grass, and sardine. Not only that, but you discover that you are a wizard yourself! This is exactly what happens to young Harry Potter in J.K. Rowling's enchanting, funny debut novel, Harry Potter and the Sorcerer's Stone. In the nonmagic human world--the world of "Muggles"--Harry is a nobody, treated like dirt by the aunt and uncle who begrudgingly inherited him when his parents were killed by the evil Voldemort. But in the world of wizards, small, skinny Harry is famous as a survivor of the wizard who tried to kill him. He is left only with a lightning-bolt scar on his forehead, curiously refined sensibilities, and a host of mysterious powers to remind him that he's quite, yes, altogether different from his aunt, uncle, and spoiled, piglike cousin Dudley. A mysterious letter, delivered by the friendly giant Hagrid, wrenches Harry from his dreary, Muggle-ridden existence: "We are pleased to inform you that you have been accepted at Hogwarts School of Witchcraft and Wizardry." Of course, Uncle Vernon yells most unpleasantly, "I AM NOT PAYING FOR SOME CRACKPOT OLD FOOL TO TEACH HIM MAGIC TRICKS!" Soon enough, however, Harry finds himself at Hogwarts with his owl Hedwig... and that's where the real adventure--humorous, haunting, and suspenseful--begins. Harry Potter and the Sorcerer's Stone, first published in England as Harry Potter and the Philosopher's Stone, continues to win major awards in England. So far it has won the National Book Award, the Smarties Prize, the Children's Book Award, and is short-listed for the Carnegie Medal, the U.K. version of the Newbery Medal. This magical, gripping, brilliant book--a future classic to be sure--will leave kids clamoring for Harry Potter and the Chamber of Secrets and Harry Potter and the Prisoner of Azkaban. (Ages 8 to 13) --Karin Snelson --This text refers to the Hardcover edition. From Publishers Weekly Readers are in for a delightful romp with this award-winning debut from a British author who dances in the footsteps of P.L. Travers and Roald Dahl. As the story opens, mysterious goings-on ruffle the self-satisfied suburban world of the Dursleys, culminating in a trio of strangers depositing the Dursleys' infant nephew Harry in a basket on their doorstep. After 11 years of disregard and neglect at the hands of his aunt, uncle and their swinish son Dudley, Harry suddenly receives a visit from a giant named Hagrid, who informs Harry that his mother and father were a witch and a wizard, and that he is to attend Hogwarts School of Witchcraft and Wizardry himself. Most surprising of all, Harry is a legend in the witch world for having survived an attack by the evil sorcerer Voldemort, who killed his parents and left Harry with a lightning-shaped scar on his forehead. And so the fun begins, with Harry going off to boarding school like a typical English kid?only his supplies include a message-carrying owl and a magic wand. There is enchantment, suspense and danger galore (as well as enough creepy creatures to satisfy the most bogeymen-loving readers, and even a magical game of soccerlike Quidditch to entertain sports fans) as Harry and his friends Ron and Hermione plumb the secrets of the forbidden third floor at Hogwarts to battle evil and unravel the mystery behind Harry's scar. Rowling leaves the door wide open for a sequel; bedazzled readers will surely clamor for one. Ages 8-12. Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition. From School Library Journal Grade 4-7-Harry Potter has spent 11 long years living with his aunt, uncle, and cousin, surely the vilest household in children's literature since the family Roald Dahl created for Matilda (Viking, 1988). But like Matilda, Harry is a very special child; in fact, he is the only surviving member of a powerful magical family. His parents were killed by the evil Voldemort, who then mysteriously vanished, and the boy grew up completely ignorant of his own powers, until he received notification of his acceptance at the Hogwarts School of Witchcraft and Wizardry. Once there, Harry's life changes dramatically. Hogwarts is exactly like a traditional British boarding school, except that the professors are all wizards and witches, ghosts roam the halls, and the surrounding woods are inhabited by unicorns and centaurs. There he makes good friends and terrible enemies. However, evil is lurking at the very heart of Hogwarts, and Harry and his friends must finally face the malevolent and powerful Voldemort, who is intent on taking over the world. The delight of this book lies in the juxtaposition of the world of Muggles (ordinary humans) with the world of magic. A whole host of unique characters inhabits this world, from the absentminded Head Wizard Dumbledore to the sly and supercilious student Draco Malfoy to the loyal but not too bright Hagrid. Harry himself is the perfect confused and unassuming hero, whom trouble follows like a wizard's familiar. After reading this entrancing fantasy, readers will be convinced that they, too, could take the train to Hogwarts School, if only they could find Platform Nine and Three Quarters at the King's Cross Station. Eva Mitnick, Los Angeles Public Library Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition. From The Washington Post Obviously, Harry Potter and the Sorcerer's Stone should make any modern 11-year-old a very happy reader. The novel moves quickly, packs in everything from a boa constrictor that winks to a melancholy Zen-spouting centaur to an owl postal system, and ends with a scary surprise. --This text refers to the Hardcover edition. From AudioFile If you haven't heard of Harry Potter then you haven't turned on your TV or radio or opened a newspaper in the last few months. For the uninitiated, Harry is a young orphan who is living with his nasty relatives when he's summoned to claim his magical heritage by attending Hogwarts School of Witchcraft and Wizardry. What could be better (or more satisfying to children) than studying, not English and chemistry, but Potions and Defense-Against-the-Dark-Arts? Jim Dale, with his fully voiced reading, brings the world of wizards to life in ways unimagined even by those who have read and re-read the book. The accents are sure, the inflections perfectly suit the characters, and some of Rowling's particularly inventive bits, like the game of Quidditch, become clearer. Sometimes poignant, often funny, Dale's interpretation of this enchanted other world is the consummate family-listening experience. S.G. Winner of AUDIOFILE Earphones Award. (c) AudioFile, Portland, Maine --This text refers to the Audio Cassette edition. From Booklist Gr. 4^-7. Orphaned in infancy, Harry Potter is raised by reluctant parents, Aunt Petunia and Uncle Vernon, an odious couple who would be right at home in a Roald Dahl novel. Things go from awful to hideous for Harry until, with the approach of his eleventh birthday, mysterious letters begin arriving addressed to him! His aunt and uncle manage to intercept these until a giant named Hagrid delivers one in person, and to his astonishment, Harry learns that he is a wizard and has been accepted (without even applying) as a student at Hogworts School of Witchcraft and Wizardry. There's even more startling news: it turns out that his parents were killed by an evil wizard so powerful that everyone is afraid to so much as utter his name, Voldemort. Somehow, though, Harry survived Voldemort's attempt to kill him, too, though it has left him with a lightning-shaped scar on his forehead and enormous celebrity in the world of magic, because Voldemort vanished following his failure. But is he gone for good? What is hidden on the third floor of Hogworts Castle? And who is the Man with Two Faces? Rowling's first novel, which has won numerous prizes in England, is a brilliantly imagined and beautifully written fantasy that incorporates elements of traditional British school stories without once violating the magical underpinnings of the plot. In fact, Rowling's wonderful ability to put a fantastic spin on sports, student rivalry, and eccentric faculty contributes to the humor, charm, and, well, delight of her utterly captivating story. Michael Cart --This text refers to the Hardcover edition. From Kirkus Reviews In a rousing first novel, already an award-winner in England, Harry is just a baby when his magical parents are done in by Voldemort, a wizard so dastardly other wizards are scared to mention his name. So Harry is brought up by his mean Uncle Vernon and Aunt Petunia Dursley, and picked on by his horrid cousin Dudley. He knows nothing about his magical birthright until ten years later, when he learns he's to attend Hogwarts School of Witchcraft and Wizardry. Hogwarts is a lot like English boarding school, except that instead of classes in math and grammar, the curriculum features courses in Transfiguration, Herbology, and Defense Against the Dark Arts. Harry becomes the star player of Quidditch, a sort of mid-air ball game. With the help of his new friends Ron and Hermione, Harry solves a mystery involving a sorcerer's stone that ultimately takes him to the evil Voldemort. This hugely enjoyable fantasy is filled with imaginative details, from oddly flavored jelly beans to dragons' eggs hatched on the hearth. It's slanted toward action-oriented readers, who will find that Briticisms meld with all the other wonders of magic school. (Fiction. 10-14) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition. Review ...funny, moving and impressive.... Like Harry Potter, [J.K. Rowling] has soared beyond her modest Muggle surroundings to achieve something quite special. -- The New York Times Book Review, Michael Winerip --This text refers to the Hardcover edition. Review “Wonderful…Funny, moving and impressive” - The New York Times Book Review “A delightful award-winning debut from an author who dances in the footsteps of P.L. Travers and Roald Dahl” - Publisher Weekly starred review Product Description New Jacket artwork by Mary GrandPre Additional four-color frontispiece artwork from Mary GrandPre Two pages of special content from J.K. Rowling Full cloth case with gold stamping 28 million copies sold worldwide! The wickedly funny debut novel from master storyteller J.K. Rowling tells the story of Harry Potter who, having endured 11 miserable years with his hideous aunt and uncle, is invited on his 11th birthday to attend Hogwarts School of Witchcraft and Wizardry. There he learns of his distinguished wizard pedigree—and his frightening destiny. About Twilight: Amazon.com Review The book that started the phenomenon is now available in a deluxe collector's edition! Featuring a ribbon bookmark, cloth cover, ragged edges, new chapter opener designs, and a beautiful protective slipcase, this edition is perfect for fans and collectors alike. Bella Swan's move to Forks, a small, perpetually rainy town in Washington, could have been the most boring move she ever made. But once she meets the mysterious and alluring Edward Cullen, Bella's life takes a thrilling and terrifying turn. Up until now, Edward has managed to keep his vampire identity a secret in the small community he lives in, but now nobody is safe, especially Bella, the person Edward holds most dear. Deeply romantic and extraordinarily suspenseful, Twilight captures the struggle between defying our instincts and satisfying our desires. This is a love story with bite. From School Library Journal Grade 9 Up–When Bella Swan moves from sunny Phoenix to Forks, Washington, a damp and dreary town known for the most rainfall in the United States, to live with her dad, she isnt expecting to like it. But the level of hostility displayed by her standoffish high school biology lab partner, Edward Cullen, surprises her. After several strange interactions, his preternatural beauty, strength, and speed have her intrigued. Edward is just as fascinated with Bella, and their attraction to one another grows. As Bella discovers more about Edwards nature and his family, she is thrown headlong into a dangerous adventure that has her making a desperate sacrifice to save her one true love. One of the more original vampire constructs around, this recording of Stephenie Meyers debut novel (Megan Tingley Books, 2005) is narrated with great style by Ilyana Kadushin, who makes the infinitely romantic tale of star-crossed lovers resonate with a bittersweet edge. Although Edward and Bellas romance and subsequent danger develops slowly, the pacing is appropriate for teens who want learn all the details in this suspenseful tale. An excellent purchase for both school and public libraries.–Charli Osborne, Oxford Public Library, MI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title. From AudioFile Stephanie Meyer's teen-vampire romance offers an appealing heroine in Bella, transplanted from sunny Phoenix to the wet, dreary town of Forks, Washington, and the seductive, secretive object of her obsession, Edward, who may or may not be a vampire. Predictability doesn't keep this spine-tingling tale from being fun, but alas, Ilyana Kadushin's reading, does. Her speaking voice is thin and underdeveloped, and any sense of nuance is nonexistent. Kadushin doesn't try to give the characters personalities, so distinguishing between speakers is difficult. This is one of those rare times in audiobook listening when the writing exceeds the reader's capabilities. Still, the story is engrossing and the characters well drawn, ensuring that older teens will find much to enjoy. S.J.H. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition. From Booklist *Starred Review* Gr. 9-12. In the tradition of Anne Rice and YA titles such as Annette Curtis Klause's The Silver Kiss (1999) comes this heady romance that intertwines Bella Swan's life with that of Edward, an alluring and tormented vampire. Bella's life changes when she moves to perpetually rain-soaked Forks, Washington. She is instantly drawn to a fellow student, Edward Cullen, beautiful beyond belief and angrily aloof. Bella senses there is more behind Edward's hostility, and in a plot that slowly and frighteningly unfolds, she learns that Edward and his family are vampires--though they do not hunt humans. Yet Edward cannot promise that his powerful attraction to Bella won't put in her in danger, or worse. Recklessly in love, Bella wants only to be with Edward, but when a vicious, blood-lusting predator complicates her world, Bella's peril is brutally revealed. This is a book of the senses: Edward is first attracted by Bella's scent; ironically, Bella is repelled when she sees blood. Their love is palpable, heightened by their touches, and teens will respond viscerally. There are some flaws here--a plot that could have been tightened, an overreliance on adjectives and adverbs to bolster dialogue--but this dark romance seeps into the soul. Ilene Cooper Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition. Review Praise for Twilight: A New York Times bestseller A New York Times"Editor's Choice" A Publishers Weekly Best Book of the Year A Publishers Weekly"Kids' Book Adults Would Love" An Amazon "Best Book of the Decade * So Far" An ALA "Top Ten Books for Young Adults" * "Propelled by suspense and romance in equal parts [this story] will keep readers madly flipping the pages of Meyer's tantalizing debut." -Publishers Weekly (starred review) * "The novel's danger-factor skyrockets as the excitement of secret love and hushed affection morphs into a terrifying race to stay alive. Realistic, subtle, succinct, and easy to follow, Twilight will have readers dying to sink their teeth into it."-School Library Journal (starred review) * "In the tradition of Anne Rice. . . this dark romance is gripping." -Booklist (starred review) Product Description About three things I was absolutely positive: First, Edward was a vampire. Second, there was a part of him–and I didn’t know how dominant that part might be–that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him. “I’D NEVER GIVEN MUCH THOUGHT TO HOW I WOULD DIE– I’d had reason enough in the last few months –but even if I had, I would not have imagined it like this. . . . Surely it was a good way to die, in the place of something else, someone I loved. Noble, even. That ought to count for something.” When Isabella Swan moves to the gloomy town of Forks and meets the mysterious, alluring Edward Cullen, her life takes a thrilling and terrifying turn. With his porcelain skin, golden eyes, mesmerizing voice, and supernatural gifts, Edward is both irresistible and impenetrable. Up until now, he has managed to keep his true identity hidden, but Bella is determined to uncover his dark secret. What Bella doesn’t realize is the closer she gets to him, the more she is putting herself and those around her at risk. And, it might be too late to turn back. . . . Deeply seductive and extraordinarily suspenseful, Twilight will have readers riveted right until the very last page is turned. --This text refers to the Audio CD edition. About the Author Stephenie Meyer graduated from Brigham Young University with a degree in English Literature, and she lives with her husband and three young sons in Arizona. Stephenie is the author of Twilight, New Moon, Eclipse, and Breaking Dawn. About the TV series Lost: Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. About the TV series Heroes: Arguably the most talked-about television show of the 2006-2007 season, the Emmy-nominated fantasy Heroes gives viewers blends comic book-style adventure with plotting and characters as rich and layered as any graphic novel or drama series. Creator Tim Kring's premise is deceptively simple – ordinary individuals in locations around the globe discover that they have, for lack of a better term, super powers, and wrestle with this reality while facing challenges both global (the destruction of New York City, for one) and personal (indestructible cheerleader Hayden Panetierre has family issues – serious ones, as the true identity of her adoptive father reveals; Milo Ventimiglia's Peter Petrelli, who absorbs other powers, must overcome his own insecurities). Add to this mix a terrific villain – Zachary Quinto's Sylar, who hunts and kills people with extraordinary powers like our heroes – and viewers have a riveting series that exhibits an almost-perfect balance of cliffhanger thrills (the action and special effects are truly impressive for a network program) and genuine drama that sets the show apart from most speculative fiction (save, perhaps, the revived Battlestar Galactica, which it compares too favorably). The seven-disc set of Heroes: Season One offers a wealth of extras for fans, who may be familiar with some of them through the NBC.com website, especially the cast commentaries, which are featured on half of the episodes. Kring is featured on the 73-minute uncut pilot episode, which for some viewers, may be even better than the network version; the main difference is the degree of character development, including an entire storyline for D.L. Hawkins that isn't featured in the broadcast version. Also on deck are some 50 deleted scenes from the episodes, several by-the-books making-of featurettes, including coverage of the special effects and stunt work, and a profile of artist Tim Sale, whose illustrations are used for Isaac Mendez's prophetic artwork. Prospective buyers should note that while all of these supplemental features are included on the HD-DVD version of this set, the special Web-connectivity elements are not available here. Explaining Skateboard Explained: Review 5 Stars from Skateboard.About.com Skateboarding Explained is a walkthrough DVD for beginner or intermediate skateboarders to learn the basics of skating, and all the tricks you need to know to be a truly intermediate, competent skater. There are several how-to-skateboard DVDs out there, but Skateboarding Explained is honestly the best one I've seen. This video takes the time to really teach the basics of skating (basics that anyone of any level could really use), and the style is such that any skater of any age (even adults!) should feel comfortable with it. You can watch the whole series of instructions in order, or go straight to the section or trick that you want to learn about. The DVD was directed and designed by Dan MacFarlane, a pro skater and the top skateboarding instructor at Camp Woodward s Lake Owen resort. Dan has a comfortable, easy going style in his instructions and masterfully performs all the tricks himself. His methods have been tried, and he knows they work. (Bonus fact - Dan instructed Shaun White at an Encinitas YMCA summer camp back when Shaun was 8 years old!) Dan MacFarlane knows how to teach, and what needs to be taught. The background music, video editing, style and feel of Skateboarding Explained are top-notch. The music is energetic, but doesn't get in the way. Each trick features high quality slow motion parts that blend perfectly with the instructions, walking you through every aspect of what you are learning. This DVD is pure skateboarding, step by step, piece by piece. If you are looking for an instructional skateboarding DVD, I highly recommend you pick up a copy of Skateboarding Explained. Steve Cave, Skateboard.About.com --www.skateboard.about.com Review This instructional DVD has been put together by Lake Owen Instructor and Mentality Pro Dan MacFarlane. The DVD does an exceptionally good job at taking skaters from the basics right up to the advance tricks. It s well presented and definitely recommended for beginners and those who want to brush up on their tricks or learn new ones. Concrete Wave Magazine --Concrete Wave Magazine Review This video arrived and at first glance you might think it's some Tony Hawk video where everyone is munching pizza bites and watching dudes ollie, turn, and backside tailslide that vert pocket with some helpful hints you'll never get. This video is exactly opposite and really makes you think about how to do tricks, even if you don't get much farther from the coping bash at the local park. If you ever had a trick that frustrated you, this should shed some light on it. It even helped me land some 360 flips which had been m.i.a. since 1992. It's worth getting and definitely worth making your child watch repeatedly instead of Sponge Bob. - Broken Magazine --Broken Magazine Product Description Transworld Skateboarding is proud to present our twentieth skate film, And Now. Produced in eight short months, and filmed in places as diverse as Australia, China, Spain, South America, and of course, throughout the states, And Now features the talents of 6 rising stars. David Gravette, Nick Trapasso, Matt Miller, Sean Malto, Ritchie Jackson, and Kenny Hoyle display a dizzying array of skateboarding talent. Produced, edited, and directed by Jon Holland and Chris Ray.

Chapter One | Waking Up

Chapter Two | The Big Bang

Chapter Three | The Reveal

Chapter Four | Open Options

Published July 10, 2009

Busted

Parks was out of the house, on the street, on his own; it felt good. Since they’d started the Reveal, he’d been around Geli and Finn most of the time. With few exceptions, the three were seldom alone. They were almost always going out together, or with each other in their flat. To Parks, it seemed that Finn was teaching them at all times; and usually, he didn’t mind it much. It was more like hanging out with friends than going to school. But at times, it could be just as frustrating as school. Geli already knew many of the things that were just lost on Parks—making him feel like the big loser when he couldn’t do it and she could. Nothing tweaked Finn though; he just kept them at it until Parks got it—or faked it well enough for Finn to think he did. But today, when Finn said he had to go out and Geli said she wanted to nap, Parks grabbed his board and hauled ass out—he desperately needed a skate session.

The DMV parking lot was definitely out. Even with the office closed, Parks wasn’t willing to risk it. The last session at the DMV lot was the night the black and white donut shop rolled in and chased all the skateboarders into the Haight; not long after that, the Crown Vic found him and tried to run him down. They had to have been watching him. They must’ve known the DMV was one of his spots. For today’s session, Parks needed somewhere no one had ever seen him before. He coasted down the asphalt toward Panhandle Park, blowing stop signs and switching back and forth through the neighborhood streets just off Haight. He avoided Haight Street itself, touching the heavily populated street only once—to cross it at Clayton. There were always too many Crown Vics in the Haight—cabs and cops. The cop-Vics were still a problem, but they weren’t his main concern.

The Panhandle was an eight block long by one block wide strip of park, split in two by the nasty traffic on Masonic Street. Hanging in the Panhandle, were mostly locals; the park’s never much for tourists except on their way to the Haight, or Golden Gate Park. The east side of Panhandle had people reading in the grass, tossing balls to dogs, or sharing a picnic—normal park stuff. The west was public bathrooms, basketball courts, dopers, homeless gangs, and skaters—mostly young ones. He didn’t mind a few grommits—everyone had to start skating somewhere—but Parks decided against stopping. He didn’t want to be out in the open. He wanted somewhere set back from the street—preferably behind a fence. If the cops or anyone else showed up, a fence buys time for an exit. Parks skated past the Panhandle and headed toward Franklin Pierce Middle School.

Schools were a great skate: lots of rails, steps, ramps, and walls—even water fountains for when you got thirsty. The only problem was that schools weren’t supposed to be for fun—they’re schools. It was possible to grab maybe an hour session before someone in the neighborhood called the cops to chase everyone out.

He cleared the fence, tossing his board into a bush before dropping himself onto the cement. For guys like Parks, fences were protection more than deterrents. If the cops did roll-up on the street, everyone could fade away before the bacon-in-blue got past the gate to write tickets. There were about twelve locals there already; one was looking through a video camera mounted on a tripod. He had the camera lens trained on a handrail. The guy grinding the rail for the camera was late twenties—and pretty damned good. It wasn’t a particularly tricky rail, but he had some style. San Francisco had a lot of old school guys like that. He may have been pro, but Parks didn’t recognize him.

Not wanting his mug showing up on some web video, Parks stayed clear of the lens. The ten not posing for the camera, worked a little nine-set coming down from the school entrance. It was the mirror staircase to the set and rail with the camera. Parks dropped his board and rolled to the back of the rotation, offering his fist to each of the others as he passed. He recognized two of them, but gave them all a fist bump of respect. This was their place; Parks always gave props to the locals at a new spot. The session lasted twenty minutes.

When the cops showed up Parks would’ve done better to take them head-on. The two of them weren’t in much shape and he had a chance if he took them for a run. Instead, like everyone else, he headed for the back of the school and left the cops to get over the fence. Parks didn’t know the exit, but he figured the locals had something in mind—they seemed to know where they were going.

“Shit,” the guy with the camera yelled.

They’d made it into the faculty parking lot. The gate to the closed school was swinging fully open. Standing alongside their black and white cruisers were four of the biggest, badass cops Parks had seen since leaving Virginia. They were the kind of cops that didn’t look comfortable unless they had their clubs out. These four looked comfortable. No one moved.

“Gentlemen, you are trespassing,” said one of the cops. Using his club to indicate, he said, “If you will all kindly step over there and line up along the fence, my fellow officers and I will take care of processing your city paperwork.”

Tickets sucked, but most cops didn’t bother with them. They’d usually harass a little, and then chase everyone off. These cops had planned it differently. The two out front were supposed to chase everyone into the trap—they probably didn’t even try to get through the fence. This was a ticket trap. They weren’t common, but they happened.

Parks fell in line behind the older guy. He felt sorry for him; cops always gave the older skaters more crap. He just kept quiet; nobody spoke. Silence is normally the best way to deal with the police. The cops already knew exactly what everyone in the line was thinking. One by one, the cops pulled a skateboarder to the side, checked their I.D., and wrote out a ticket.

“I don’t have I.D.,” Parks said when it was his turn. “I don’t drive—bad for the environment.”

“Good for you, Mr. Solid Citizen. It might be a good idea though for you to get a California I.D, especially if you’re planning to continue trespassing and destroying public property.”

“Thanks. But you know what? I’ve already applied at the DMV; I just forgot.” Parks just wanted to get the ticket and get moving. He didn’t want to take any chances by drawing attention by being a smart-ass, even if it wasn’t going on his record.

“What about school I.D.?”

“Sorry, left it at home.”

The cop took a notebook and pen out of his shirt pocket. “Okay, what’s your name?”

“Greg Riley.”

“Address?”

“1351 Fell Street, S-F-C-A 94117.”

“Alright Mr. Riley, you have a seat while I make a quick call.” The cop waited until Parks sat down where he’d indicated. Another cop moved over to keep an eye on Parks, while the first one walked over to his black and white. He didn’t use a radio in the cruiser. Instead, he turned his back toward Parks and spoke into the microphone that hung from his shirt. Whatever the radio exchange had been, the cop didn’t give anything away. He walked up to Parks, motioned him to stand up and reached for his arm. He turned Parks’ arm to expose the underside of his wrist and the small identifiable scar.

“Mr. Riley—you’re under arrest.”

Continued »

© Copyright 2009 mhduncan

Chapter Three | The Reveal

Published July 3, 2009

Beach House

Parks stared in amazement.

It was larger, but in some ways the strange little beach house resembled a tool shed: four flat walls, a simple slant roof, no rain gutters—a very simple shape and design. There were also ways in which it didn’t resemble a tool shed. Those were most interesting.

Lined side-by-side, vertical wood slats comprised the front wall. All were in various colors, shades, and hues. He tried to fix a stare directly on the building façade, but the discord of color produced an optical illusion that resulted in making Parks dizzy. It appeared as though the slats of the wall were moving; shifting in and out, they rose and fell in mathematical rhythm. They were multicolor waves, hypnotically undulating in a vertical ocean. It was making Parks sick. To avoid passing out as he tried to look the building over, Parks took sideways glances, and then only for seconds at a time.

Off-center to the left, squeezed in among several tiny windows, a squat, and very narrow door faced the street. Dark purple material covered all the windows, blocking any chance of a peek at the interior from the outside. From the street, the door looked to be about four feet tall and no more than one foot wide. Actually, the house, the windows, the doors could’ve been any size; the strange perspective from the street made it hard to judge accurately.

Several bizarre, elongated symbols—seemingly painted at random—were in several places along the slats. The straight and curvy lines of the symbols combined and intersected with each other; many symbols included dots at various places within and around these lines. The colors, condition and style of each symbol differed from the others, which made it seem likely that numerous people had added them to the wall over time. They weren’t tags, but something about them was similar to graffiti. It was more to do with arrangement, rather than design and shape. The symbols, like a similarity in the characters of a foreign language, had a sense of a connection between them. He could tell they gave a message, or were at least part of a message. There was an odd familiarity to them; he felt he should know what they mean. Despite this gut-instinct, the message meant nothing to him.

Covered in well-worn, dry, shake shingles, the roof of the tiny place looked at risk for the first hint of a spark to burst it into flame. A huge weather vane, the tarnished green-copper figure of an enormous sea bird—a heron—stuck several feet up from the roof. The heron bucked wildly in the wind, lifting several of the roof’s shingles with each strong gust. Heron, shingles, and house managed to stay attached to one another, despite the attempts of the ocean gale to tear them apart.

All the fantastic colors and adornments made the house an amazing sight. In comparison to the yard, it seemed visually mundane. In his life, Parks had seen mostly normal yards: grass—long, short or dead—trees, flowerbeds, and maybe some shrubs. The landscaping—if that was the word—would not be found in a normal, or even a normal-freaky yard.

This was the first time he’d ever seen a miniature Japanese maple tree surrounded at the base by fifty or more black and purple dahlias. A thick ring of various-sized, smooth-polished, turquoise stones encircled the tree and flowers. Then, an even thicker ring of polished black stones surrounded the turquoise. White stones, arranged within the black stones, formed symbols similar to the indecipherable ones painted on the house.

Suspended from the numerous branches of a ghost-creepy, white tree—hundreds of cooking pots and pans hung from macramé nets. The tree reminded Parks of the kind in a fantasy movie; something that would reach out and grab at people as they passed. Each piece of the cookware in the tree was home to several unique flowering vines. Bold, mixed colors cascaded—almost poured—from the pots, into a shimmering pool of crystal-clear beads on the ground.

Not a blade of grass was visible anywhere in the yard. Instead, thousands of plants growing from hundreds of planters took up almost every square inch of available space in the under-sized yard. Planters were stacked on top of each other, others packed tightly side by side, and many more hung overhead: from rusted hooks and nails, weathered wood beams, the remaining pole from an old clothesline. Apparently, someone made use of anything capable of supporting twenty-pound hanging bowls of dirt for just that purpose. Flowering plants and vines ruled the yard.

Packed so densely, that any of the plants and flowers should’ve grown successfully didn’t seem possible. The haphazard landscaping made nothing appear well planned, or particularly cared for. But in spite of, or maybe because of the competitive nature in the garden, a very hearty environment had formed. Everything looked amazingly healthy. This vibrant garden overflowed with color and life.

Not just living things filled the area. As if oblivious to the complete lack of available space, every kind of cheesy garden object imaginable somehow squeezed a way in. The number of objects on display was so vast that it seemed to Parks someone would’ve required many life times to collect them all. Moreover, their decayed condition would’ve needed more than an equal number of years to achieve. Ranging from modern objects to the medieval—stone, glass, plastic, ceramic, wood, copper and iron overcrowded the little remaining space not occupied by plants.

A large waterfall, surrounded by golden poppies, presented a disturbing water scene. The water, pouring from a craggy white boulder suspended high in the air, spilled violently into an old wooden trough on the ground. The suspended boulder seemed supported only by its own tower of water, which it simultaneously created and rested upon. At least from the angle he was looking, Parks saw no visible structure to the waterfall other than a floating white boulder, a steady stream of water, and a leaky wooden trough. Disturbing for Parks was that for an instant, if he kept a soft focus out of the corner of his eyes, the white rock appeared to have a face. It was a tired face; droopy eyes stared directly at Parks every time he would sneak a look.

Then, there were the painted garden gnomes. One, with an unsettling grin, rested—lantern in hand—at the foot of an orange-red stone sundial. The lantern aimed into the darkness, casting its light in Parks and Geli’s direction. Parks imagined that if the little gnome was alive, if the grin was real and not painted, the face could equally be showing fear in their approach, or self-satisfaction at having lured them in. The more Parks looked—in the patches of tulips, the shadowed dirt surrounding the heirloom rose bushes, peaking over the tops of crates and buckets—the more of these little clowns of the garden he found. They appeared paused in action, all magically stopped in mid-motion by the arrival of Parks and Geli. It was ridiculous. Parks couldn’t shake the feeling that the little ceramic figures were moving; going about their gnomish chores in extreme slo-mo when he wasn’t looking. But they weren’t moving. They were painted ceramic garden gnomes. It was just another odd feeling that this place gave him. The gnomes were definitely not moving.

Seven handmade windmills spiked from various locations around the yard. They were not real windmills, just very large versions of cheap plastic twirlers; ones every kid knows, and has probably owned at least once in their life. The twelve muslin-covered blades on the windmills all had an identical painted outline of a white rose. The blades spun, stopped, and reversed direction at varying speeds, according to the wind and the windmill’s position in the yard. Oddly, even when the blades were in motion, the outline of a rose stayed; a single white rose that seemed to hover in place at the top, while the blades moved independently in the background. Despite the whimsical nature of the optical illusion, these windmill displays also had disturbing elements to them. A miniature barbed wire fence wrapped the base of each windmill. The gray dirt inside these fences was dry and barren. The windmills twirled over the only spots in the yard where nothing seemed to be capable of living.

If Parks were to describe the place, he would say it looked like a cooking store, garden center, German fairytale and eighteenth century circus had gathered, exploded, and then taken root for a decade or two. When Parks turned to look at Geli, he was surprised to see that her grin was almost at the edge of her face. She seemed to get genuine pleasure from looking at this yard. For the most part, Parks only felt discomfort from looking at the clutter. Clutter was the only description he had for the stuff in this place.

Continued »

© Copyright 2009 mhduncan

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